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A moustache is facial hair grown on the outer surface of the upper lip. It may or may not be accompanied by a beard, hair around the entire face.
The word "moustache" derives from 16th century French moustache, which in turn is derived from the Italian mostaccio (14th century), dialectal mustaccio (16th century), from Medieval Latin mustacium (8th century), Medieval Greek moustakion (attested in the 9th century), which ultimately originates as a diminutive of Hellenistic Greek mustax (mustak-) "moustache", probably derived from Hellenistic Greek mullon "lip".
history
Shaving with stone razors was technologically possible from Neolithic times, but the oldest portrait showing a shaved man with a moustache is an ancient Iranian (Scythian) horseman from 300 BC.
In Western cultures women generally avoid the growth of facial hair; though some are capable, the majority of these women use some form of depilation to remove it. In rare circumstances, women may choose to embrace this growth, often in the form of thin moustaches. Mexican artist Frida Kahlo famously depicted herself in her artwork with both a moustache and a unibrow. This tradition is followed by some contemporary women in the arts.
in male adolescence
The moustache forms its own stage in the development of facial hair in adolescent males.Facial hair in males normally appears in a specific order during puberty:
The first facial hair to appear tends to grow at the corners of the upper lip(age 11-15),
It then spreads to form a moustache over the entire upper lip(age 16-17),
This is followed by the appearance of hair on the upper part of the cheeks, and the area under the lower lip(age 16-18),
It eventually spreads to the sides and lower border of the chin, and the rest of the lower face to form a full beard(age 17-21).
As with most human biological processes, this specific order may vary among some individuals depending on one's genetic heritage or environment.
care
Most men with a normal or strong moustache tend it daily, by shaving the hair of the chin and cheeks, to prevent it from becoming a full beard. A variety of tools have been developed for the care of moustaches, including moustache wax, moustache nets (snoods), moustache brushes, moustache combs and moustache scissors.
styles
At the World Beard and Moustache Championships 2007 there were 6 sub-categories for moustaches:
Natural – Moustache may be styled without aids.
Mexican – Big and bushy, beginning from the middle of the upper lip and pulled to the side. The hairs are allowed to start growing from up to a maximum of 1.5 cm beyond the end of the upper lip.
Dalí – narrow, long points bent or curved steeply upward; areas past the corner of the mouth must be shaved. Artificial styling aids needed. Named after Salvador Dalí.
English – narrow, beginning at the middle of the upper lip the whiskers are very long and pulled to the side, slightly curled; the ends are pointed slightly upward; areas past the corner of the mouth usually shaved. Artificial styling may be needed.
Imperial – whiskers growing from both the upper lip and cheeks, curled upward (distinct from the royale, or impériale)
Freestyle – All moustaches that do not match other classes. The hairs are allowed to start growing from up to a maximum of 1.5 cm beyond the end of the upper lip. Aids are allowed.
Other types of moustache include:
Fu Manchu – long, downward pointing ends, generally beyond the chin;
'Pancho Villa' moustache – similar to the Fu Manchu but thicker; also known as a "droopy moustache", generally much more so than that normally worn by the historical Pancho Villa.
Handlebar – bushy, with small upward pointing ends. See baseball pitcher Rollie Fingers. Also known as a "spaghetti moustache", because of its stereotypical association with Italian men.
Horseshoe – Often confused with the Fu Manchu style, the horseshoe was possibly popularized by modern cowboys and consists of a full moustache with vertical extensions from the corners of the lips down to the jawline and resembling an upside-down horseshoe. Also known as "biker moustache".
Pencil moustache – narrow, straight and thin as if drawn on by a pencil, closely clipped, outlining the upper lip, with a wide shaven gap between the nose and moustache, widely recognized as being the moustache of choice for the fictional character Gomez Addams of The Addams Family. Also known as a Mouthbrow, worn by John Waters, Sean Penn and Chris Cornell.
Chevron – thick and wide, usually covering the top of the upper lip. Comedian Jeff Foxworthy and NASCAR driver Richard Petty wear Chevrons.
Toothbrush – thick, but shaved except for about an inch (2.5 cm) in the center; associated with Adolf Hitler, Charlie Chaplin, Oliver Hardy, and Robert Mugabe.
Walrus – bushy, hanging down over the lips, often entirely covering the mouth. Worn by John Bolton, Dick Strawbridge, Wilford Brimley and Jamie Hyneman
notable moustaches
The longest recorded moustache belongs to Bajansinh Juwansinh Gurjar of Ahmedabad, India. It had not been cut for 22 years and was 12 feet, 6 inches long in 2004.
In some cases, the moustaches are so prominently identified with a single individual that it could be identified with him without any further identifying traits, such as in the case of Adolf Hitler. In some cases, such as with Groucho Marx and Charlie Chaplin, the moustache in question was artificial for most of their lives.
Jonathan Easley's foray into journalism is marked by the appearance of a moustache.
The American composer and musician Frank Zappa is so identifiable by his moustache that after his death its image was copyrighted by the Zappa Family Trust.
Freddie Mercury, the lead singer of Queen, was also well-known for the distinctive moustache he wore in the 1980s.
Kaiser Wilhelm II's moustache, grossly exaggerated, featured prominently in Entente propaganda.
U.S. Air Force ace Robin Olds became celebrated for the flowing handlebar moustache he grew while commanding the 8th Tactical Fighter Wing "Wolfpack" during the Vietnam War, and when forced to shave it by his superior became the source of an Air Force tradition known as "Moustache March".
The French actor François-Alexandre Galipedes used the stage name “Moustache” in reference to his luxurious facial hair. He appeared in the 1966 William Wyler movie How To Steal A Million.
in art and fiction
Moustaches have long been used by artists to make characters distinctive as with Charlie Chan, Snidely Whiplash, Hercule Poirot, or the video game character Mario. They have also been used to make a social or political point as with Marcel Duchamp's parody of the Mona Lisa which adds a goatee and moustache or the moustachioed self portraits of Frida Kahlo. At least one fictional moustache has been so notable that a whole style has been named after it: the Fu Manchu moustache.
Salvador Dalí published a book dedicated solely to his moustache.
Moustache was the alias name of a French comic actor.
in sport
The Liverpool sides of the late 1970s to late 1980s were famously notable for numbers of moustachioed players, including Mark Lawrenson, Graeme Souness, Bruce Grobbelaar, Terry McDermott and Ian Rush.
For the 2008 Summer Olympics Croatia men's national water polo team grew moustaches in honor of coach Ratko Rudić.
In the early 1970s, Major League Baseball players seldom wore facial hair. As detailed in the book Mustache Gang, Oakland Athletics owner Charlie Finley decided to hold a moustache-growing contest within his team. When the A's faced the Cincinnati Reds, whose team rules forbade facial hair, in the 1972 World Series, the series was dubbed by media as "the hairs vs. the squares".
Swimmer Mark Spitz won seven gold medals while sporting a moustache when swimmers usually shaved all their body hair to decrease drag. When other competitors questioned the moustache and the potential increased drag, he claimed that it helped create a pocket of air to breathe.
South African rugby union coach Peter De Villiers also has a moustache, and is derisively known as Piet Snor (Peter Moustache). In 2008 De Villiers was nicknamed "Twakkie" in a public competition held by the South African Sunday Times newspaper - this in reference to a local fictional character with a similar moustache from the SABC's "The Most Amazing Show".
NHL player George Parros is well known for his moustache, of which fans can buy replicas of at the team store, with proceeds going to charity. Parros also has a line of apparel called "Stache Gear" that benefits The Garth Brooks Teammates For Kids Foundation.
Steven Cozza, a professional cyclist from the United States, has found much love from European cycling fans for his horseshoe mustache; facial hair is unusual in the professional peloton.
Saturday 27 November 2010
Sunday 21 November 2010
did americans in 1776 have british accents?
Reading David McCullough’s 1776, I found myself wondering: Did Americans in 1776 have British accents? If so, when did American accents diverge from British accents?
The answer surprised me.
I’d always assumed that Americans used to have British accents, and that American accents diverged after the Revolutionary War, while British accents remained more or less the same.
Americans in 1776 did have British accents in that American accents and British accents hadn’t yet diverged. That’s not too surprising.
What’s surprising, though, is that those accents were much closer to today’s American accents than to today’s British accents. While both have changed over time, it’s actually British accents that have changed much more drastically since then.
First, let’s be clear: the terms “British accent” and “American accent” are oversimplifications; there were, and still are, many constantly-evolving regional British and American accents. What many Americans think of as “the British accent” is the standardized Received Pronunciation, also known as “BBC English.”
The biggest difference between most American and most British accents is rhotacism. While most American accents are rhotic, the standard British accent is non-rhotic. (Rhotic speakers pronounce the ‘R’ sound in the word “hard.” Non-rhotic speakers do not.)
So, what happened?
In 1776, both American accents and British accents were largely rhotic. It was around this time that non-rhotic speech took off in southern England, especially among the upper class. This “prestige” non-rhotic speech was standardized, and has been spreading in Britain ever since.
Most American accents, however, remained rhotic.
There are a few fascinating exceptions: New York and Boston accents became non-rhotic, perhaps because of the region’s British connections in the post-Revolutionary War era. Irish and Scottish accents are still rhotic.
The answer surprised me.
I’d always assumed that Americans used to have British accents, and that American accents diverged after the Revolutionary War, while British accents remained more or less the same.
Americans in 1776 did have British accents in that American accents and British accents hadn’t yet diverged. That’s not too surprising.
What’s surprising, though, is that those accents were much closer to today’s American accents than to today’s British accents. While both have changed over time, it’s actually British accents that have changed much more drastically since then.
First, let’s be clear: the terms “British accent” and “American accent” are oversimplifications; there were, and still are, many constantly-evolving regional British and American accents. What many Americans think of as “the British accent” is the standardized Received Pronunciation, also known as “BBC English.”
The biggest difference between most American and most British accents is rhotacism. While most American accents are rhotic, the standard British accent is non-rhotic. (Rhotic speakers pronounce the ‘R’ sound in the word “hard.” Non-rhotic speakers do not.)
So, what happened?
In 1776, both American accents and British accents were largely rhotic. It was around this time that non-rhotic speech took off in southern England, especially among the upper class. This “prestige” non-rhotic speech was standardized, and has been spreading in Britain ever since.
Most American accents, however, remained rhotic.
There are a few fascinating exceptions: New York and Boston accents became non-rhotic, perhaps because of the region’s British connections in the post-Revolutionary War era. Irish and Scottish accents are still rhotic.
Friday 19 November 2010
10 Incredible Artists Unappreciated in Their Time
Sometimes artists are ahead of their time, and their work simply isn’t as beloved or highly regarded by people during their lifetime as it is by those in the generations that follow. Artists, writers and musicians can all fall into this unfortunate phenomenon, robbing them of the credit they deserve for their genius. Here are ten great artists you’re bound to learn about during your university studies, who simply weren’t appreciated for the work they produced during their time.
Vincent Van Gogh (1853-1890): Today, Van Gogh’s work sells for unprecedented prices and is some of the most valuable and highly sought after in the world. His Portrait of Dr. Gachet sold for $82.5 million in 1990, making it one of the most expensive paintings ever sold. In his time, however, Van Gogh was a failed, starving artist. He produced more than 2,000 works of art, but sold only two during his lifetime. Suffering with mental illness and further depressed by his lack of success, Van Gogh committed suicide at the age of 37. Van Gogh’s post-Impressionist style, filled with emotion, movement and vibrancy, was not popular during his life but would go on to influence decades of artists that followed, and his works remain some of the most highly regarded paintings in modern art.
Franz Kafka (1883-1924): Few artists ever have terms in the English language coined after them, but Kafka’s influence should be evident in the wide – and perhaps over – usage of the term "Kafkaesque." While today he is seen as one of the most influential writers of the 20th century, he enjoyed little to none of this success during his lifetime. His main income came from work as an insurance officer and later helping to operate an asbestos factory. Yet, Kafka’s true passion was writing and he eventually quit working to focus on his art. Kafka may very well have been appreciated during his time had a wider audience gotten to see his work, but the author died from starvation brought on by tuberculosis at age 40, before much of his work had been published or even finished. Kafka asked his close friend to burn all his work on his death, but luckily for the literary world, he didn’t and today people the world over can enjoy his dry humor and existential take on the world.
El Greco (1541-1614): Domenikos Theotokopoulos, or El Greco as he came to be known, wasn’t an entirely unsuccessful artist during his lifetime. Born in Crete, he studied in Rome and Venice before settling down in Toledo, Spain, where he created some of his best known paintings for the Spanish royal family. While El Greco found work and made a comfortable living as an artist, he was largely panned by art critics. The works he painted for the royal family displeased the king and dashed all hopes he had for becoming a court painter. His work was laughed at, scorned and within the larger art community, ignored. It was not until the 19th century that his work saw the attention it deserved. It became an inspiration for the artists that would push forth the Expressionist and Cubist movements, drawing inspiration from El Greco’s dramatic compositions and bizarrely elongated and distorted figures. Spanish artists of the late 19th and early 20th Century paraded his works through the streets and critics, artists and everyday people now laud his work as that of a true artistic genius and pioneer– status he never attained during his own time.
Johann Sebastian Bach (1685-1750): Today, even those who know little of classical music will recognize the name Bach. Yet during his lifetime, Bach was successful not as a composer of unique musical arrangements, but as a highly respected and competent organist. While he was intimately involved in music and did win acclaim for his work within it, his work as a composer largely went unrecognized, save that which involved the organ. It was not until a revival in interest in the works of the Baroque period during the early 19th Century that the true value of his musical compositions was truly appreciated. While he did not innovate a new musical style, Bach brought Baroque music to its pinnacle, adapting the style and making it his own by bringing in musical elements from Italy and France and enriching his native German style. In modern times, he is regarded as one of the greatest composers ever, and it’s hard to imagine that his work wasn’t lauded during his own period.
Henry David Thoreau (1817-1862): It’s hard to imaging Thoreau today as a struggling writer and unappreciated artist given his widespread success and name recognition, but during his own time, Thoreau wasn’t a widely known or read author. His work, praising the importance of appreciating the natural world, preaching social activism, and peppered with symbolism and hidden meanings was unique and different and society at the time was perhaps not quite ready for it. Thoreau could not find a publisher for many of this works, and in one case took money out of his own pocket to publish, selling only a fraction of those that he printed. At the time of his death, Thoreau had published only two books which were not well-received by the larger public. While he enjoyed the support of authors like Ralph Waldo Emerson, Thoreau was an unknown in the literary world and only received attention for his works in the 20th century. Today, his work has served as the inspiration for great leaders, artists and thinkers and is regarded as one of the greats in American literature.
John Kennedy Toole (1937-1969): An American novelist from New Orleans, Toole’s work A Confederacy of Dunces won him a Pulitzer Prize in fiction. You wouldn’t think that would be a recipe for an unappreciated artist, but his work was not published nor praised until nearly 12 years after his death. Toole’s lack of success and widespread acceptance as a writer during his lifetime wasn’t from a lack of trying. He submitted his famous novel to publisher Simon & Schuster, where he was told it needed major revisions and that ultimately, it was not publishable. Distraught over his lack of success and rejection, Toole took off on a journey around the country, killing himself in a cabin in Mississippi at the age of 31. It was not until Toole’s mother brought his novel to writer Walker Percy that it was published and received the attention that it, and he, deserved.
Johannes Vermeer (1632-1675): Check out any art history text these days and you’re bound to see page after page dedicated to this Dutch Baroque painter. A fictional novel and a movie were made that were inspired by one of his better known works. Yet Vermeer wasn’t always the art historical star that he is today. During his lifetime, Vermeer made a respectable living as an artist, painting small genre scenes but never achieving particular wealth or widespread name recognition as an artist. His masterly treatment of light and color and careful treatment of the subjects in his work did bring him high regard in the Netherlands during his life, but upon his death he was a forgotten and obscure artist for almost two centuries. It was not until art historians Waagen and Thore-Burger published an essay on him in the 19th century that his work came to light in the larger art world. Today, the limited number of works he created (only 34) and his high level of skill make him one of the most sought-after artists in the world.
Edgar Allan Poe (1809-1849): Poe wasn’t always seen as the master of the macabre that he is today. In fact, he struggled most of his life to make a living as a writer, often making only a few dollars for the publication of some of the works that are his most famous today. Plagued by the death of his young wife, alcoholism and financial troubles, Poe moved from place to place trying to sell his work, stay out of trouble and make a life as a writer. His depression and addiction finally grew to be too much and under mysterious circumstances, Poe was found dead in an alley at the age of 40. While his work did see publication during his lifetime, it certainly didn’t see widespread success, nor was it as appreciated as it is today for its style or content. Today, Poe’s work is known the world over and he is credited with helping bring credibility to the short story, detective fiction and science fiction.
Paul Gauguin (1848-1903): Gauguin’s close friendship with Van Gogh should make it no surprise that the two shared a similar fate in the art world during their lifetimes. Today, we can look at Gauguin’s work as heralding in the Symbolist movement, paving the way for new artistic styles and famous painters who would come after him. Yet during his life, Gauguin was a bit of an outsider and never received widespread success for his work. Gauguin deserted a prosperous life as a stockbroker and his family to live and paint in the South Pacific. Yet Gauguin didn’t find the idealized paradise he sought out on these islands, nor the success he so desired as an artist. His work was appreciated by few and even ridiculed when presented in the Post-Impressionist exhibit of 1910 in London. It was not until the 1940s that his work saw widespread success in the marketplace and was appreciated by a larger audience. Today, his paintings rank among some of the most expensive in modern art and few critics would ridicule his work.
John Keats (1795-1821): It might be unfair to say that Keats wasn’t appreciated in his own time because his life was so short, but even while he was alive, this Romantic poet’s works weren’t especially well-received. Critics panned his work and he was recognized as a talent mainly by other poets, not a wider audience. Keats didn’t get much time to prove his talent to himself or anyone else — he died of tuberculosis at age 25, believing himself a failure. While a small circle of academics praised his work soon after his death, it was not until 1890 that he became recognized as one of the greatest Romantic poets. Today, Keats’ works are some of the most studied in English literature classes, and his life and his works have become the subject of numerous books and movies both in academic and popular culture.
Vincent Van Gogh (1853-1890): Today, Van Gogh’s work sells for unprecedented prices and is some of the most valuable and highly sought after in the world. His Portrait of Dr. Gachet sold for $82.5 million in 1990, making it one of the most expensive paintings ever sold. In his time, however, Van Gogh was a failed, starving artist. He produced more than 2,000 works of art, but sold only two during his lifetime. Suffering with mental illness and further depressed by his lack of success, Van Gogh committed suicide at the age of 37. Van Gogh’s post-Impressionist style, filled with emotion, movement and vibrancy, was not popular during his life but would go on to influence decades of artists that followed, and his works remain some of the most highly regarded paintings in modern art.
Franz Kafka (1883-1924): Few artists ever have terms in the English language coined after them, but Kafka’s influence should be evident in the wide – and perhaps over – usage of the term "Kafkaesque." While today he is seen as one of the most influential writers of the 20th century, he enjoyed little to none of this success during his lifetime. His main income came from work as an insurance officer and later helping to operate an asbestos factory. Yet, Kafka’s true passion was writing and he eventually quit working to focus on his art. Kafka may very well have been appreciated during his time had a wider audience gotten to see his work, but the author died from starvation brought on by tuberculosis at age 40, before much of his work had been published or even finished. Kafka asked his close friend to burn all his work on his death, but luckily for the literary world, he didn’t and today people the world over can enjoy his dry humor and existential take on the world.
El Greco (1541-1614): Domenikos Theotokopoulos, or El Greco as he came to be known, wasn’t an entirely unsuccessful artist during his lifetime. Born in Crete, he studied in Rome and Venice before settling down in Toledo, Spain, where he created some of his best known paintings for the Spanish royal family. While El Greco found work and made a comfortable living as an artist, he was largely panned by art critics. The works he painted for the royal family displeased the king and dashed all hopes he had for becoming a court painter. His work was laughed at, scorned and within the larger art community, ignored. It was not until the 19th century that his work saw the attention it deserved. It became an inspiration for the artists that would push forth the Expressionist and Cubist movements, drawing inspiration from El Greco’s dramatic compositions and bizarrely elongated and distorted figures. Spanish artists of the late 19th and early 20th Century paraded his works through the streets and critics, artists and everyday people now laud his work as that of a true artistic genius and pioneer– status he never attained during his own time.
Johann Sebastian Bach (1685-1750): Today, even those who know little of classical music will recognize the name Bach. Yet during his lifetime, Bach was successful not as a composer of unique musical arrangements, but as a highly respected and competent organist. While he was intimately involved in music and did win acclaim for his work within it, his work as a composer largely went unrecognized, save that which involved the organ. It was not until a revival in interest in the works of the Baroque period during the early 19th Century that the true value of his musical compositions was truly appreciated. While he did not innovate a new musical style, Bach brought Baroque music to its pinnacle, adapting the style and making it his own by bringing in musical elements from Italy and France and enriching his native German style. In modern times, he is regarded as one of the greatest composers ever, and it’s hard to imagine that his work wasn’t lauded during his own period.
Henry David Thoreau (1817-1862): It’s hard to imaging Thoreau today as a struggling writer and unappreciated artist given his widespread success and name recognition, but during his own time, Thoreau wasn’t a widely known or read author. His work, praising the importance of appreciating the natural world, preaching social activism, and peppered with symbolism and hidden meanings was unique and different and society at the time was perhaps not quite ready for it. Thoreau could not find a publisher for many of this works, and in one case took money out of his own pocket to publish, selling only a fraction of those that he printed. At the time of his death, Thoreau had published only two books which were not well-received by the larger public. While he enjoyed the support of authors like Ralph Waldo Emerson, Thoreau was an unknown in the literary world and only received attention for his works in the 20th century. Today, his work has served as the inspiration for great leaders, artists and thinkers and is regarded as one of the greats in American literature.
John Kennedy Toole (1937-1969): An American novelist from New Orleans, Toole’s work A Confederacy of Dunces won him a Pulitzer Prize in fiction. You wouldn’t think that would be a recipe for an unappreciated artist, but his work was not published nor praised until nearly 12 years after his death. Toole’s lack of success and widespread acceptance as a writer during his lifetime wasn’t from a lack of trying. He submitted his famous novel to publisher Simon & Schuster, where he was told it needed major revisions and that ultimately, it was not publishable. Distraught over his lack of success and rejection, Toole took off on a journey around the country, killing himself in a cabin in Mississippi at the age of 31. It was not until Toole’s mother brought his novel to writer Walker Percy that it was published and received the attention that it, and he, deserved.
Johannes Vermeer (1632-1675): Check out any art history text these days and you’re bound to see page after page dedicated to this Dutch Baroque painter. A fictional novel and a movie were made that were inspired by one of his better known works. Yet Vermeer wasn’t always the art historical star that he is today. During his lifetime, Vermeer made a respectable living as an artist, painting small genre scenes but never achieving particular wealth or widespread name recognition as an artist. His masterly treatment of light and color and careful treatment of the subjects in his work did bring him high regard in the Netherlands during his life, but upon his death he was a forgotten and obscure artist for almost two centuries. It was not until art historians Waagen and Thore-Burger published an essay on him in the 19th century that his work came to light in the larger art world. Today, the limited number of works he created (only 34) and his high level of skill make him one of the most sought-after artists in the world.
Edgar Allan Poe (1809-1849): Poe wasn’t always seen as the master of the macabre that he is today. In fact, he struggled most of his life to make a living as a writer, often making only a few dollars for the publication of some of the works that are his most famous today. Plagued by the death of his young wife, alcoholism and financial troubles, Poe moved from place to place trying to sell his work, stay out of trouble and make a life as a writer. His depression and addiction finally grew to be too much and under mysterious circumstances, Poe was found dead in an alley at the age of 40. While his work did see publication during his lifetime, it certainly didn’t see widespread success, nor was it as appreciated as it is today for its style or content. Today, Poe’s work is known the world over and he is credited with helping bring credibility to the short story, detective fiction and science fiction.
Paul Gauguin (1848-1903): Gauguin’s close friendship with Van Gogh should make it no surprise that the two shared a similar fate in the art world during their lifetimes. Today, we can look at Gauguin’s work as heralding in the Symbolist movement, paving the way for new artistic styles and famous painters who would come after him. Yet during his life, Gauguin was a bit of an outsider and never received widespread success for his work. Gauguin deserted a prosperous life as a stockbroker and his family to live and paint in the South Pacific. Yet Gauguin didn’t find the idealized paradise he sought out on these islands, nor the success he so desired as an artist. His work was appreciated by few and even ridiculed when presented in the Post-Impressionist exhibit of 1910 in London. It was not until the 1940s that his work saw widespread success in the marketplace and was appreciated by a larger audience. Today, his paintings rank among some of the most expensive in modern art and few critics would ridicule his work.
John Keats (1795-1821): It might be unfair to say that Keats wasn’t appreciated in his own time because his life was so short, but even while he was alive, this Romantic poet’s works weren’t especially well-received. Critics panned his work and he was recognized as a talent mainly by other poets, not a wider audience. Keats didn’t get much time to prove his talent to himself or anyone else — he died of tuberculosis at age 25, believing himself a failure. While a small circle of academics praised his work soon after his death, it was not until 1890 that he became recognized as one of the greatest Romantic poets. Today, Keats’ works are some of the most studied in English literature classes, and his life and his works have become the subject of numerous books and movies both in academic and popular culture.
Friday 12 November 2010
People for the Ethical Treatment of Animals (PETA)
People for the Ethical Treatment of Animals (PETA) is an American animal rights organization based in Norfolk, Virginia, and led by Ingrid Newkirk, its international president. A non-profit corporation with 300 employees and two million members and supporters, it says it is the largest animal rights group in the world. Its slogan is "animals are not ours to eat, wear, experiment on, or use for entertainment."
Founded in March 1980 by Newkirk and animal rights activist Alex Pacheco, the organization first caught the public's attention in the summer of 1981 during what became known as the Silver Spring monkeys case, a widely publicized dispute about experiments conducted on 17 macaque monkeys inside the Institute of Behavioral Research in Silver Spring, Maryland. The case lasted ten years, involved the only police raid on an animal laboratory in the United States, triggered an amendment in 1985 to that country's Animal Welfare Act, and established PETA as an internationally known organization. Since then, in its campaigns and undercover investigations, it has focused on four core issues—opposition to factory farming, fur farming, animal testing, and animals in entertainment—though it also campaigns against fishing, the killing of animals regarded as pests, the keeping of chained backyard dogs, cock fighting, dog fighting, and bullfighting.
The group has been the focus of criticism from inside and outside the animal rights movement. Newkirk and Pacheco are seen as the leading exporters of animal rights to the more traditional animal protection groups in the United States, but sections of the movement nevertheless say PETA is not radical enough—law professor Gary Francione calls them the new welfarists, arguing that their work with industries to achieve reform makes them an animal welfare, not an animal rights, group. Newkirk told Salon in 2001 that PETA works toward the ideal, but tries in the meantime to provide carrot-and-stick incentives. There has also been criticism from feminists within the movement about the use of scantily clad women in PETA's anti-fur campaigns, and criticism in general that the group's media stunts trivialize animal rights. Newkirk's view is that PETA has a duty to be "press sluts".
Outside the movement, the confrontational nature of PETA's campaigns has caused concern, as has the number of animals it euthanizes. It was further criticized in 2005 by United States Senator Jim Inhofe for having given grants several years earlier to Animal Liberation Front (ALF) and Earth Liberation Front (ELF) activists. PETA responded that it has no involvement in ALF or ELF actions and does not support violence, though Newkirk has elsewhere made clear that she does support the removal of animals from laboratories and other facilities, including as a result of illegal direct action.
history
ingrid newkirk
Newkirk was born in England in 1949 and raised in Hertfordshire, and later New Delhi, India, where her father—a navigational engineer—was stationed. Newkirk, now an atheist, was educated in a convent, the only British girl there. She moved to the United States as a teenager, first studying to become a stockbroker, but after taking some abandoned kittens to a shelter in 1969, and appalled by the conditions she found there, she choose a career in animal protection instead. She became an animal protection officer for Montgomery County, then the District of Columbia's first woman poundmaster. By 1976 she was head of the animal-disease-control division of D.C.'s Commission on Public Health, and in 1980 was among those named as Washingtonian of the Year. She told Michael Specter of The New Yorker that working for the shelters left her shocked at the way the animals were treated:
I went to the front office all the time, and I would say, "John is kicking the dogs and putting them into freezers." Or I would say, "They are stepping on the animals, crushing them like grapes, and they don't care." In the end, I would go to work early, before anyone got there, and I would just kill the animals myself. Because I couldn't stand to let them go through that. I must have killed a thousand of them, sometimes dozens every day. Some of those people would take pleasure in making them suffer. Driving home every night, I would cry just thinking about it. And I just felt, to my bones, this cannot be right.
In 1980, she divorced Steve Newkirk, whom she had married when she was 19, and the same year met Alex Pacheco, a political major at George Washington University. Pacheco had studied for the priesthood, then worked as a crew member of the Sea Shepherd Conservation Society's first ship. He volunteered at the shelter where she worked, and they fell in love and began living together, though as Kathy Snow Guillermo writes they were very different—Newkirk was older and more practical, whereas Pacheco could barely look after himself. He introduced Newkirk to Peter Singer's influential book, Animal Liberation (1975), and in March 1980 she persuaded him to join her in forming People for the Ethical Treatment of Animals, at that point just five people in a basement, as Newkirk described it. They were mostly students and members of the local vegetarian society, but the group included a friend of Pacheco's from the UK, Kim Stallwood, a British activist who went on to become the national organizer of the British Union for the Abolition of Vivisection . Pacheco was reluctant at first. "It just didn't sound great to me," he told The Los Angeles Times in 1992." I had been active in Europe ... and I thought there were just too many formalities. I thought we should just do things ourselves. But she made a convincing case that Washington needed a vehicle for animals because the current organizations were too conservative."
silver spring monkeys
The group first came to public attention in 1981 during the Silver Spring monkeys case, a dispute about experiments conducted by researcher Edward Taub on 17 macaque monkeys inside the Institute of Behavioral Research in Silver Spring, Maryland. The case led to the first police raid in the United States on an animal laboratory, triggered an amendment in 1985 to the United States Animal Welfare Act, and became the first animal-testing case to be appealed to the United States Supreme Court, which upheld a Louisiana State Court ruling that denied PETA's request for custody of the monkeys.
Pacheco had taken a job in May 1981 inside a primate research laboratory at the Institute, intending to gain firsthand experience of working inside an animal laboratory. Taub had been cutting sensory ganglia that supplied nerves to the monkeys' fingers, hands, arms, and legs—a process called "deafferentation"—so that the monkeys could not feel them; some of the monkeys had had their entire spinal columns deafferented. He then used restraint, electric shock, and withholding of food and water to force the monkeys to use the deafferented parts of their bodies. The research led in part to the discovery of neuroplasticity and a new therapy for stroke victims called constraint-induced movement therapy.
Pacheco visited the laboratory at night, taking photographs that showed the monkeys living in what the Institute for Laboratory Animal Research's ILAR Journal called filthy conditions. He passed his evidence to the police, who raided the lab and arrested Taub. Taub was convicted of six counts of animal cruelty, the first such conviction in the United States of an animal researcher, overturned on appeal. Norm Phelps writes that the case followed the highly publicized campaign of Henry Spira in 1976 against experiments on cats being performed at the American Museum of Natural History in New York, and Spira's subsequent campaign in April 1980 against the Draize test. These and the Silver Springs monkey case jointly put animal rights on the agenda in the United States.
The ten-year battle for custody of the monkeys—described by The Washington Post as a vicious mud fight, during which both sides accused the other of lies and distortion— transformed PETA into a national, then international, movement. By February 1991, it claimed over 350,000 members, a paid staff of over 100, and an annual budget of over $7 million.
philosophy and activism
profile
PETA writes that it is an animal rights organization, and as such it rejects speciesism and the idea of animals as property, and opposes the use of animals in any form: as food, clothing, entertainment, or as research subjects. One oft-cited quote of Newkirk's is: "When it comes to feelings like hunger, pain, and thirst, a rat is a pig is a dog is a boy." The group has been criticized by other animal rights advocates for its willingness to work with industries that use animals—a position many animal rights advocates find problematic. Newkirk rejects the criticism, and has said of the group that it is here to hold the radical line.
PETA lobbies governments to impose fines where animal-welfare legislation has been violated, promotes a vegan diet, tries to reform the practices in factory farms and slaughterhouses, goes undercover into animal research laboratories, farms, and circuses, initiates media campaigns against particular companies or practices, helps to find sanctuaries for former circus and zoo animals, and initiates lawsuits against companies.
The group has two million members and supporters, it received donations of over $32 million for the year ending July 31, 2009, and its website was receiving four million hits a month as of November 2008. Over 80 percent of its operating budget was spent on its programs in 2008-2009, 15 percent on fundraising, and four percent on management and general operations. Thirty-two percent of its staff earned under $30,000, 24 percent over $40,000, and Newkirk just under $37,000.
Pacheco left the group in 1999, and since then the two key staff members next to Newkirk have been Bruce Friedrich, director of vegan outreach—a devout Catholic who spent years working in soup kitchens, and who gives 20 percent of his income to the church—and Dan Mathews, the group's senior vice-president.
campaigns and consumer boycotts
The organization is known for its aggressive media campaigns, combined with a solid base of celebrity support—Pamela Anderson, Drew Barrymore, Alec Baldwin, John Gielgud, Bill Maher, Stella McCartney, and Alicia Silverstone have all appeared in PETA ads. Every week, Newkirk holds what The New Yorker calls a war council, with two dozen of her top strategists gathered round a square table in the PETA conference room, no suggestion considered too outrageous. PETA also gives a yearly prize, called the Proggy Award (for "progress"), to individuals or organizations dedicated to animal welfare or who distinguish themselves through their efforts within the area of animal welfare.
Many of the campaigns have focused on large corporations. Fast food companies such as KFC, Wendy's, and Burger King have been targeted. In the animal-testing industry, PETA's consumer boycotts have focused on Avon, Benetton, Bristol-Myers-Squibb, Chesebrough-Pond's, Dow Chemical, General Motors, and others. Their modus operandi includes buying shares in target companies such as McDonald's and Kraft Foods in order to exert influence. The campaigns have delivered results for PETA. McDonald's and Wendy's introduced vegetarian options after PETA targeted them; Petco stopped selling some exotic pets; and Polo Ralph Lauren said it would no longer use fur. Avon, Estee Lauder, Benetton, and Tonka Toy Co. all stopped testing products on animals, the Pentagon stopped shooting pigs and goats in wounds tests, and a slaughterhouse in Texas was closed down.
As part of its anti-fur action, PETA members have infiltrated hundreds of fashion shows in the U.S, Europe, and once in China, throwing red paint on the catwalks, and unfurling banners. Celebrities and supermodels have posed naked for the group's "I'd Rather Go Naked than Wear Fur" campaign—some men, but mostly women—triggering criticism from feminist animal rights advocates. The New Yorker writes that PETA activists have crawled through the streets of Paris wearing leg-hold traps and thrown around money soaked in fake blood at the International Fur Fair. They regularly engage in pie-throwing—in January 2010, Canadian MP Gerry Byrne compared them to terrorists for throwing a tofu cream pie at Canada's fishery minister Gail Shea in protest at the seal hunt, a comment Newkirk called a silly chest-beating exercise. "The thing is, we make them gawk," she told Satya magazine, "maybe like a traffic accident that you have to look at."
Some campaigns have been particularly controversial. Newkirk was criticized in 2003 for sending a letter to PLO leader Yasser Arafat asking him to keep animals out of the conflict, after a donkey was blown up during an attack in Jerusalem. The group's 2003 "Holocaust on your Plate" exhibition—eight 60-square-foot (5.6 m2) panels juxtaposing images of Holocaust victims with animal carcasses and animals being transported to slaughter—was criticized by the Anti-Defamation League. In July 2010, the German Federal Constitutional Court ruled that PETA's campaign was not protected by free speech laws, and banned it within Germany as an offense against human dignity. In 2005, the NAACP complained about the "Are Animals the New Slaves?" exhibit, which showed images of African-American slaves, Native Americans, child laborers, and women, alongside chained elephants and slaughtered cows.
PETA's "It's still going on" campaign features newspaper ads comparing widely-publicized murder-cannibalization cases to the deaths of animals in slaughterhouses. The campaign has attracted significant media attention, controversy and generated angry responses from the victims' family members. Ads were released in 1991 describing the deaths of the victims of serial killer Jeffrey Dahmer, in 2002 describing the deaths of the victims of serial killer Robert William Pickton, and in 2008 describing the murder of Tim McLean. In several cases, newspapers have refused to run the ads.
The group has also been criticized for aiming its message at young people. "Your Mommy Kills Animals" features a cartoon of a woman attacking a rabbit with a knife. To reduce milk consumption, it created the "Got Beer?" campaign, a parody of the dairy industry's series of Got Milk? ads, which featured celebrities with milk "mustaches" on their upper lips. When the mayor of New York, Rudolf Giuliani, was diagnosed with prostate cancer in 2000, PETA ran a photograph of him with a white mustache and the words "Got prostate cancer?" to illustrate their claim that dairy products contribute to cancer, an ad that caused an outcry in the United States. After PETA placed ads in school newspapers linking milk to acne, obesity, heart disease, cancer, and strokes, Mothers Against Drunk Driving and college officials complained it encouraged underage drinking; the British Advertising Standards Authority asked that the ads be discontinued after complaints from interest groups such as The National Farmers' Unions.The other campaigns are less confrontational and more humorous. In 2008, it launched the "Save the Sea Kittens" campaign to change the name of fish to "sea kittens" to give them a positive image, and it regularly asks towns to adopt a new name. It campaigned in 1996 for a new name for Fishkill, New York, and in April 2003 offered free veggie burgers to Hamburg, New York, if it would call itself Veggieburg.
undercover investigations
PETA sends its staff undercover into research laboratories, factory farms, and circuses to document the treatment of animals, requiring them to spend many months as employees of the facility, making copies of documents and wearing hidden cameras. By 2007, it had conducted 75 such investigations. It has also produced videos based on material collected during ALF raids. Some investigations have led to lawsuits or government action against the companies or universities. PETA itself faced legal action in April 2007 after the owners of a chinchilla ranch in Michigan complained about an undercover inquiry there, but the judge ruled in PETA's favor that undercover investigations can be legitimate.
Notable cases include the 26-minute film PETA produced in 1984, Unnecessary Fuss, based on 60 hours of researchers' footage obtained by the ALF during a raid on the University of Pennsylvania's head injury clinic. The footage showed researchers laughing at baboons as they inflicted brain damage on them with a hydraulic device intended to simulate whiplash. Laboratory animal veterinarian Larry Carbone writes that the researchers openly discussed how one baboon was awake before the head injury, despite protocols being in place for anaesthesia. The ensuing publicity led to the suspension of funds from the university, the firing of its chief veterinarian, the closure of the lab, and a period of probation for the university.
In 1990, two PETA activists posed as employees of Carolina Biological, where they took pictures and video inside the company, alleging that cats were being mistreated. Following the release of PETA's tapes, the USDA conducted their own inspection and subsequently charged the company with seven violations of the Animal Welfare Act. Four years later, an administrative judge ruled that Carolina Biological had not committed any violations.
In 1990, Bobby Berosini, a Las Vegas entertainer, lost his wildlife license, as well as (on appeal) a later lawsuit against PETA, after the group broadcast an undercover film of him slapping and punching orangutans in 1989. In 1997, a PETA investigation inside Huntingdon Life Sciences (HLS), a contract animal-testing company, produced film of staff in the UK beating dogs, and what appeared to be abuse of monkeys in the company's New Jersey facility. After the video footage aired on British television in 1999, a group of activists set up Stop Huntingdon Animal Cruelty to close HLS down, a campaign that continues.
In 1999, a North Carolina grand jury handed down indictments against pig-farm workers on Belcross Farm in Camden County, the first indictments for animal cruelty on a factory farm in the United States, after a three-month PETA investigation produced film of the workers beating the animals. In 2004, PETA published the results of an eight-month undercover investigation in a West Virginia Pilgrim's Pride slaughterhouse that supplies chickens to KFC. The New York Times reported the investigation as showing workers stomping on live chickens, throwing dozens against a wall, tearing the head off a chicken to write graffiti, strangling one with a latex glove, and squeezing birds until they exploded. Yum Brands, owner of KFC, called the video appalling, and threatened to stop purchasing from Pilgrim's Pride if no changes were made; Pilgrim's Pride fired 11 employees, and introduced an anti-cruelty pledge for workers to sign.
In 2004 and 2005, PETA shot footage inside Covance, an animal-testing company in the United States and Europe, that appeared to show monkeys being mistreated in the company's facility in Vienna, Virginia. According to The Washington Post, PETA said an employee of the group filmed primates there being choked, hit, and denied medical attention when badly injured. After PETA sent the video and a 253-page complaint to the United States Department of Agriculture, Covance was fined $8,720 for 16 citations, three of which involved lab monkeys; the other citations involved administrative issues and equipment. The company said none of the issues were pervasive or endemic, and that they had taken corrective action. In 2005 Covance initiated a lawsuit charging PETA with fraud, violation of employee contract, and conspiracy to harm the company's business, but did not proceed with it.
PETA also goes undercover into circuses. In 2006, they filmed trainers at Carson & Barnes Circus—including Tim Frisco, the animal-care director—striking elephants while shouting at them; The Washington Post writes that the video shows Frisco shouting "Make 'em scream!" A company spokesman dismissed PETA's concerns as 'Utopian philosophical ideology," but said the circus would no longer use electric prods.
positions
on direct action and the ALF
Newkirk is outspoken in her support of direct action, writing that no movement for social change has ever succeeded without what she calls the militarism component: "Thinkers may prepare revolutions," she wrote of the ALF in 2004, "but bandits must carry them out."
In 2004 The Observer described what it called a network of relationships between apparently unconnected animal rights groups on both sides of the Atlantic, writing that, with assets of $6.5 million, and with the PETA Foundation holding further assets of $15 million, PETA funds a number of activists and groups—some with links to militant groups, including the ALF, which the FBI has named as a domestic terrorist threat. American writer Don Liddick writes that PETA gave $1,500 to the Earth Liberation Front in 2001—Newkirk said the donation was a mistake, and that the money had been intended for public education about destruction of habitat, but Liddick writes that it went to the legal defense of Craig Rosebraugh, an ELF spokesman. That same year, according to The Observer, PETA gave a $5,000 grant to American animal rights activist Josh Harper, an advocate of arson.
According to Liddick, PETA has substantial links with Native American ALF activist Rod Coronado. He alleges that two Federal Express packages were sent to an address in Bethesda, Maryland, before and after a 1992 fire at Michigan State University that Coronado was convicted of setting, reportedly as part of "Operation Bite Back," a series of ALF attacks on American animal testing facilities in the 1990s. The first package was picked up by a PETA employee, Maria Blanton, and the second intercepted by the authorities, who identified the handwriting as Coronado's. Liddick writes that the package contained documents removed from the university and a videotape of one of the perpetrators. When they searched Blanton's home, police found some of the paraphernalia of animal liberation raids, including code names for Coronado and Alex Pacheco—PETA's co-founder—burglary tools, two-way radios, and fake identification. Liddick also writes that PETA gave Coronado $45,000 for his legal bills and another $25,000 to his father.
Newkirk is a strong supporter of direct action that removes animals from laboratories and other facilities—she told The Los Angeles Times in 1992 that when she hears of anyone walking into a lab and walking out with animals, her heart sings. In an interview for Wikinews in 2007, she said she had been asked by other animal protection groups to condemn illegal acts. "And I won't do it, because it were my animal I'd be happy." But she added that she does not support arson. "I would rather that these buildings weren't standing, and so I think at some level I understand. I just don't like the idea of that, but maybe that's wishy-washy of me, because I don't want those buildings standing if they hurt anyone ... Why would you preserve [a building] just so someone can make a profit by continuing to hurt and kill individuals who feel every bit as much as we do?"
on neutering, backyard dogs, working animals, and pets
PETA runs several programs though its Community Animal Project that helps cats and dogs in poorer areas of Virginia, near its headquarters. In 2008 they neutered 7,485 cats, dogs, and rabbits in that area, including pit bulls and feral cats, at a discounted rate or free of charge. They help neglected dogs and cats who are ill and injured, and pursue cruelty cases. Each year they set up hundreds of dog houses with straw bedding for dogs chained outside all winter. They urge population control through neutering and adoption from shelters, and campaign against organizations such as the American Kennel Club that promote the breeding of purebred strains.
PETA argues that it would have been better for animals had the institution of breeding them as "pets" never emerged, that the desire to own and receive love from animals is selfish, and that their breeding, sale, and purchase can cause immeasurable suffering. They write that millions of dogs spend their lives chained outside in all weather conditions or locked up in chain-link pens and wire cages in puppy mills, and that even in good homes animals are often not well cared for. They would like to see the population of dogs and cats reduced through spaying and neutering, and for people never to purchase animals from pet shops or breeders, but to adopt them from shelters instead. PETA supports hearing dog programs where animals are taken from shelters and placed in appropriate homes, but does not endorse seeing-eye-dog programs because, according to one of their Vice Presidents, "the dogs are bred as if there are no equally intelligent dogs literally dying for homes in shelters."
on euthanasia
PETA opposes the no kill movement. The group takes in feral cat colonies with diseases such as feline AIDS and leukemia, stray dogs, litters of parvo-infected puppies, and backyard dogs, and says that it would be unrealistic to follow a no-kill policy in such instances. They offer free euthanasia services to counties that kill unwanted animals via gassing or shooting—they recommend the use of an intravenous injection of sodium pentobarbital if administered by a trained professional, and for severely ill or dying pets when euthanasia at a veterinarian is unaffordable. They recommend euthanasia for certain breeds, such as pit bull terriers, and in certain situations for animals in shelters: for example, for those living for long periods in cramped cages.
Two PETA employees were acquitted in 2007 of animal cruelty, but convicted of littering, after at least 80 euthanized animals were left in dumpsters in a shopping center in Ashoskie over the course of a month in 2005; the two employees were seen leaving behind 18 dead animals, and 13 more were found inside their van. The animals had been euthanized after being removed from shelters in Northampton and Bertie counties. The group said it began euthanizing animals in some rural North Carolina shelters after it found the shelters killing animals in ways PETA considered inhumane.
on wildlife conservation personalities
PETA is critical of television personalities they call self-professed wildlife warriors, arguing that while a conservationist message is getting across, some of the actions are harmful to animals, such as invading animals' homes, netting them, subjecting them to stressful environments, and wrestling with them—often involving young animals the group says should be with their mothers. In 2006 when Steve Irwin died, PETA's vice-president Dan Mathews said Irwin had made a career out of antagonizing frightened wild animals. Australian Member of Parliament Bruce Scott said PETA should apologize to Irwin's family and the rest of Australia.
on animal testing
PETA opposes animal testing—whether toxicity testing, basic or applied research, or for education and training—on both moral and practical grounds. Newkirk told Vogue magazine in 1989 that even if it resulted in a cure for AIDS, PETA would oppose it. The group also believes that it is wasteful, unreliable, and irrelevant to human health, because artificially induced diseases in animals are not identical to human diseases. They say that animal experiments are frequently redundant and lack accountability, oversight, and regulation. They promote alternatives, including embryonic stem cell research and in vitro cell research. PETA employees have themselves volunteered for human testing of vaccines; Scott Van Valkenburg, the group's Director of Major Gifts, said in 1999 that he had volunteered for human testing of HIV vaccines.
position within the animal rights movement
Robert Garner of the University of Leicester writes that Newkirk and Pacheco are the leading exporters of animal rights to the more moderate groups in the United States—both members of an animal rights elite that he argues has shaken up the animal rights movement, setting up new groups and radicalizing old ones.
There is criticism of PETA from both the conservative and radical ends of the movement. Michael Specter writes that it provides for groups such as the Humane Society of the United States the same dynamic that Malcolm X provided for Martin Luther King, or Andrea Dworkin for Gloria Steinem—someone radical to alienate the mainstream and make moderate voices more appealing. The failure to condemn the Animal Liberation Front triggers complaints from the conservatives, while the more radical activists say the group has lost touch with its grassroots, is soft on the idea of animal rights, and that it should stop the media stunts, the pie-throwing, and the targeting of women. "It's hard enough trying to get people to take animal rights seriously without PETA out there acting like a bunch of jerks," one activist told writer Norm Phelps.
The ads featuring barely clad or naked women have appalled feminist animal rights advocates. When Ronald Reagan's daughter Patti Davis posed naked for Playboy, donating half her $100,000 fee to PETA, the group issued a press release saying Davis "turns the other cheek in an eye-opening spread," then announced she had been photographed naked with Hugh Hefner's dog for an anti-fur ad. In 1995, PETA formed a partnership with Playboy to promote human organ donation, with the caption "Some People Need You Inside Them" on a photograph of Hefner's wife. The long-standing campaign, "I'd rather go naked than wear fur," in which celebrities and supermodels strip for the camera, generated particular concern.
Newkirk has replied to the criticism that no one is being exploited, the women taking part are volunteers, and if sexual attraction advances the cause of animals, she is unapologetic.Asked by Wikinews how she feels when criticized from within the movement, she said: "Somebody has to push the envelope. If you say something that someone already agrees with, then what's the point, and so we make some more conservative animal protection organizations uncomfortable; they don't want to be associated with us because it will be embarrassing for them, and I understand that. Our own members write to us sometimes and say, 'Oh why did you do this? I don't want anyone to know I'm a PETA member.'"
Gary Francione, professor of law at Rutgers School of Law-Newark, argues that PETA is not an animal rights group—and further that there is no animal rights movement in the United States—because of their willigness to work with industries that use animals to achieve incremental change. This makes them an animal welfare group, in Francione's view: what he calls the new welfarists. A proponent of abolitionism, Francione argues that PETA is trivializing the movement with what he calls the "Three Stooges" theory of animal rights, making the public think progress is underway when the changes are only cosmetic.
Like Francione, PETA describes itself as abolitionist. Newkirk told an animal rights conference in 2002 that PETA's goal remains animal liberation: "Reforms move a society very importantly from A to B, from B to C, from C to D. It's very hard to take a nation or a world that is built on seeing animals as nothing more than hamburgers, handbags, cheap burglar alarms, tools for research, and move them from A to Z ..."
Francione has also criticized PETA for having caused grassroots animal rights group to close, groups that he argues were essential for the survival of the animal rights movement, which rejects the centrality of corporate animal charities. Francione writes that PETA initially set up independent chapters around the United States, but closed them in favor of a top-down, centralized organization, which not only consolidated decision-making power, but centralized donations too. Now, local animal rights donations go to PETA, rather than to a local group.
Founded in March 1980 by Newkirk and animal rights activist Alex Pacheco, the organization first caught the public's attention in the summer of 1981 during what became known as the Silver Spring monkeys case, a widely publicized dispute about experiments conducted on 17 macaque monkeys inside the Institute of Behavioral Research in Silver Spring, Maryland. The case lasted ten years, involved the only police raid on an animal laboratory in the United States, triggered an amendment in 1985 to that country's Animal Welfare Act, and established PETA as an internationally known organization. Since then, in its campaigns and undercover investigations, it has focused on four core issues—opposition to factory farming, fur farming, animal testing, and animals in entertainment—though it also campaigns against fishing, the killing of animals regarded as pests, the keeping of chained backyard dogs, cock fighting, dog fighting, and bullfighting.
The group has been the focus of criticism from inside and outside the animal rights movement. Newkirk and Pacheco are seen as the leading exporters of animal rights to the more traditional animal protection groups in the United States, but sections of the movement nevertheless say PETA is not radical enough—law professor Gary Francione calls them the new welfarists, arguing that their work with industries to achieve reform makes them an animal welfare, not an animal rights, group. Newkirk told Salon in 2001 that PETA works toward the ideal, but tries in the meantime to provide carrot-and-stick incentives. There has also been criticism from feminists within the movement about the use of scantily clad women in PETA's anti-fur campaigns, and criticism in general that the group's media stunts trivialize animal rights. Newkirk's view is that PETA has a duty to be "press sluts".
Outside the movement, the confrontational nature of PETA's campaigns has caused concern, as has the number of animals it euthanizes. It was further criticized in 2005 by United States Senator Jim Inhofe for having given grants several years earlier to Animal Liberation Front (ALF) and Earth Liberation Front (ELF) activists. PETA responded that it has no involvement in ALF or ELF actions and does not support violence, though Newkirk has elsewhere made clear that she does support the removal of animals from laboratories and other facilities, including as a result of illegal direct action.
history
ingrid newkirk
Newkirk was born in England in 1949 and raised in Hertfordshire, and later New Delhi, India, where her father—a navigational engineer—was stationed. Newkirk, now an atheist, was educated in a convent, the only British girl there. She moved to the United States as a teenager, first studying to become a stockbroker, but after taking some abandoned kittens to a shelter in 1969, and appalled by the conditions she found there, she choose a career in animal protection instead. She became an animal protection officer for Montgomery County, then the District of Columbia's first woman poundmaster. By 1976 she was head of the animal-disease-control division of D.C.'s Commission on Public Health, and in 1980 was among those named as Washingtonian of the Year. She told Michael Specter of The New Yorker that working for the shelters left her shocked at the way the animals were treated:
I went to the front office all the time, and I would say, "John is kicking the dogs and putting them into freezers." Or I would say, "They are stepping on the animals, crushing them like grapes, and they don't care." In the end, I would go to work early, before anyone got there, and I would just kill the animals myself. Because I couldn't stand to let them go through that. I must have killed a thousand of them, sometimes dozens every day. Some of those people would take pleasure in making them suffer. Driving home every night, I would cry just thinking about it. And I just felt, to my bones, this cannot be right.
In 1980, she divorced Steve Newkirk, whom she had married when she was 19, and the same year met Alex Pacheco, a political major at George Washington University. Pacheco had studied for the priesthood, then worked as a crew member of the Sea Shepherd Conservation Society's first ship. He volunteered at the shelter where she worked, and they fell in love and began living together, though as Kathy Snow Guillermo writes they were very different—Newkirk was older and more practical, whereas Pacheco could barely look after himself. He introduced Newkirk to Peter Singer's influential book, Animal Liberation (1975), and in March 1980 she persuaded him to join her in forming People for the Ethical Treatment of Animals, at that point just five people in a basement, as Newkirk described it. They were mostly students and members of the local vegetarian society, but the group included a friend of Pacheco's from the UK, Kim Stallwood, a British activist who went on to become the national organizer of the British Union for the Abolition of Vivisection . Pacheco was reluctant at first. "It just didn't sound great to me," he told The Los Angeles Times in 1992." I had been active in Europe ... and I thought there were just too many formalities. I thought we should just do things ourselves. But she made a convincing case that Washington needed a vehicle for animals because the current organizations were too conservative."
silver spring monkeys
The group first came to public attention in 1981 during the Silver Spring monkeys case, a dispute about experiments conducted by researcher Edward Taub on 17 macaque monkeys inside the Institute of Behavioral Research in Silver Spring, Maryland. The case led to the first police raid in the United States on an animal laboratory, triggered an amendment in 1985 to the United States Animal Welfare Act, and became the first animal-testing case to be appealed to the United States Supreme Court, which upheld a Louisiana State Court ruling that denied PETA's request for custody of the monkeys.
Pacheco had taken a job in May 1981 inside a primate research laboratory at the Institute, intending to gain firsthand experience of working inside an animal laboratory. Taub had been cutting sensory ganglia that supplied nerves to the monkeys' fingers, hands, arms, and legs—a process called "deafferentation"—so that the monkeys could not feel them; some of the monkeys had had their entire spinal columns deafferented. He then used restraint, electric shock, and withholding of food and water to force the monkeys to use the deafferented parts of their bodies. The research led in part to the discovery of neuroplasticity and a new therapy for stroke victims called constraint-induced movement therapy.
Pacheco visited the laboratory at night, taking photographs that showed the monkeys living in what the Institute for Laboratory Animal Research's ILAR Journal called filthy conditions. He passed his evidence to the police, who raided the lab and arrested Taub. Taub was convicted of six counts of animal cruelty, the first such conviction in the United States of an animal researcher, overturned on appeal. Norm Phelps writes that the case followed the highly publicized campaign of Henry Spira in 1976 against experiments on cats being performed at the American Museum of Natural History in New York, and Spira's subsequent campaign in April 1980 against the Draize test. These and the Silver Springs monkey case jointly put animal rights on the agenda in the United States.
The ten-year battle for custody of the monkeys—described by The Washington Post as a vicious mud fight, during which both sides accused the other of lies and distortion— transformed PETA into a national, then international, movement. By February 1991, it claimed over 350,000 members, a paid staff of over 100, and an annual budget of over $7 million.
philosophy and activism
profile
PETA writes that it is an animal rights organization, and as such it rejects speciesism and the idea of animals as property, and opposes the use of animals in any form: as food, clothing, entertainment, or as research subjects. One oft-cited quote of Newkirk's is: "When it comes to feelings like hunger, pain, and thirst, a rat is a pig is a dog is a boy." The group has been criticized by other animal rights advocates for its willingness to work with industries that use animals—a position many animal rights advocates find problematic. Newkirk rejects the criticism, and has said of the group that it is here to hold the radical line.
PETA lobbies governments to impose fines where animal-welfare legislation has been violated, promotes a vegan diet, tries to reform the practices in factory farms and slaughterhouses, goes undercover into animal research laboratories, farms, and circuses, initiates media campaigns against particular companies or practices, helps to find sanctuaries for former circus and zoo animals, and initiates lawsuits against companies.
The group has two million members and supporters, it received donations of over $32 million for the year ending July 31, 2009, and its website was receiving four million hits a month as of November 2008. Over 80 percent of its operating budget was spent on its programs in 2008-2009, 15 percent on fundraising, and four percent on management and general operations. Thirty-two percent of its staff earned under $30,000, 24 percent over $40,000, and Newkirk just under $37,000.
Pacheco left the group in 1999, and since then the two key staff members next to Newkirk have been Bruce Friedrich, director of vegan outreach—a devout Catholic who spent years working in soup kitchens, and who gives 20 percent of his income to the church—and Dan Mathews, the group's senior vice-president.
campaigns and consumer boycotts
The organization is known for its aggressive media campaigns, combined with a solid base of celebrity support—Pamela Anderson, Drew Barrymore, Alec Baldwin, John Gielgud, Bill Maher, Stella McCartney, and Alicia Silverstone have all appeared in PETA ads. Every week, Newkirk holds what The New Yorker calls a war council, with two dozen of her top strategists gathered round a square table in the PETA conference room, no suggestion considered too outrageous. PETA also gives a yearly prize, called the Proggy Award (for "progress"), to individuals or organizations dedicated to animal welfare or who distinguish themselves through their efforts within the area of animal welfare.
Many of the campaigns have focused on large corporations. Fast food companies such as KFC, Wendy's, and Burger King have been targeted. In the animal-testing industry, PETA's consumer boycotts have focused on Avon, Benetton, Bristol-Myers-Squibb, Chesebrough-Pond's, Dow Chemical, General Motors, and others. Their modus operandi includes buying shares in target companies such as McDonald's and Kraft Foods in order to exert influence. The campaigns have delivered results for PETA. McDonald's and Wendy's introduced vegetarian options after PETA targeted them; Petco stopped selling some exotic pets; and Polo Ralph Lauren said it would no longer use fur. Avon, Estee Lauder, Benetton, and Tonka Toy Co. all stopped testing products on animals, the Pentagon stopped shooting pigs and goats in wounds tests, and a slaughterhouse in Texas was closed down.
As part of its anti-fur action, PETA members have infiltrated hundreds of fashion shows in the U.S, Europe, and once in China, throwing red paint on the catwalks, and unfurling banners. Celebrities and supermodels have posed naked for the group's "I'd Rather Go Naked than Wear Fur" campaign—some men, but mostly women—triggering criticism from feminist animal rights advocates. The New Yorker writes that PETA activists have crawled through the streets of Paris wearing leg-hold traps and thrown around money soaked in fake blood at the International Fur Fair. They regularly engage in pie-throwing—in January 2010, Canadian MP Gerry Byrne compared them to terrorists for throwing a tofu cream pie at Canada's fishery minister Gail Shea in protest at the seal hunt, a comment Newkirk called a silly chest-beating exercise. "The thing is, we make them gawk," she told Satya magazine, "maybe like a traffic accident that you have to look at."
Some campaigns have been particularly controversial. Newkirk was criticized in 2003 for sending a letter to PLO leader Yasser Arafat asking him to keep animals out of the conflict, after a donkey was blown up during an attack in Jerusalem. The group's 2003 "Holocaust on your Plate" exhibition—eight 60-square-foot (5.6 m2) panels juxtaposing images of Holocaust victims with animal carcasses and animals being transported to slaughter—was criticized by the Anti-Defamation League. In July 2010, the German Federal Constitutional Court ruled that PETA's campaign was not protected by free speech laws, and banned it within Germany as an offense against human dignity. In 2005, the NAACP complained about the "Are Animals the New Slaves?" exhibit, which showed images of African-American slaves, Native Americans, child laborers, and women, alongside chained elephants and slaughtered cows.
PETA's "It's still going on" campaign features newspaper ads comparing widely-publicized murder-cannibalization cases to the deaths of animals in slaughterhouses. The campaign has attracted significant media attention, controversy and generated angry responses from the victims' family members. Ads were released in 1991 describing the deaths of the victims of serial killer Jeffrey Dahmer, in 2002 describing the deaths of the victims of serial killer Robert William Pickton, and in 2008 describing the murder of Tim McLean. In several cases, newspapers have refused to run the ads.
The group has also been criticized for aiming its message at young people. "Your Mommy Kills Animals" features a cartoon of a woman attacking a rabbit with a knife. To reduce milk consumption, it created the "Got Beer?" campaign, a parody of the dairy industry's series of Got Milk? ads, which featured celebrities with milk "mustaches" on their upper lips. When the mayor of New York, Rudolf Giuliani, was diagnosed with prostate cancer in 2000, PETA ran a photograph of him with a white mustache and the words "Got prostate cancer?" to illustrate their claim that dairy products contribute to cancer, an ad that caused an outcry in the United States. After PETA placed ads in school newspapers linking milk to acne, obesity, heart disease, cancer, and strokes, Mothers Against Drunk Driving and college officials complained it encouraged underage drinking; the British Advertising Standards Authority asked that the ads be discontinued after complaints from interest groups such as The National Farmers' Unions.The other campaigns are less confrontational and more humorous. In 2008, it launched the "Save the Sea Kittens" campaign to change the name of fish to "sea kittens" to give them a positive image, and it regularly asks towns to adopt a new name. It campaigned in 1996 for a new name for Fishkill, New York, and in April 2003 offered free veggie burgers to Hamburg, New York, if it would call itself Veggieburg.
undercover investigations
PETA sends its staff undercover into research laboratories, factory farms, and circuses to document the treatment of animals, requiring them to spend many months as employees of the facility, making copies of documents and wearing hidden cameras. By 2007, it had conducted 75 such investigations. It has also produced videos based on material collected during ALF raids. Some investigations have led to lawsuits or government action against the companies or universities. PETA itself faced legal action in April 2007 after the owners of a chinchilla ranch in Michigan complained about an undercover inquiry there, but the judge ruled in PETA's favor that undercover investigations can be legitimate.
Notable cases include the 26-minute film PETA produced in 1984, Unnecessary Fuss, based on 60 hours of researchers' footage obtained by the ALF during a raid on the University of Pennsylvania's head injury clinic. The footage showed researchers laughing at baboons as they inflicted brain damage on them with a hydraulic device intended to simulate whiplash. Laboratory animal veterinarian Larry Carbone writes that the researchers openly discussed how one baboon was awake before the head injury, despite protocols being in place for anaesthesia. The ensuing publicity led to the suspension of funds from the university, the firing of its chief veterinarian, the closure of the lab, and a period of probation for the university.
In 1990, two PETA activists posed as employees of Carolina Biological, where they took pictures and video inside the company, alleging that cats were being mistreated. Following the release of PETA's tapes, the USDA conducted their own inspection and subsequently charged the company with seven violations of the Animal Welfare Act. Four years later, an administrative judge ruled that Carolina Biological had not committed any violations.
In 1990, Bobby Berosini, a Las Vegas entertainer, lost his wildlife license, as well as (on appeal) a later lawsuit against PETA, after the group broadcast an undercover film of him slapping and punching orangutans in 1989. In 1997, a PETA investigation inside Huntingdon Life Sciences (HLS), a contract animal-testing company, produced film of staff in the UK beating dogs, and what appeared to be abuse of monkeys in the company's New Jersey facility. After the video footage aired on British television in 1999, a group of activists set up Stop Huntingdon Animal Cruelty to close HLS down, a campaign that continues.
In 1999, a North Carolina grand jury handed down indictments against pig-farm workers on Belcross Farm in Camden County, the first indictments for animal cruelty on a factory farm in the United States, after a three-month PETA investigation produced film of the workers beating the animals. In 2004, PETA published the results of an eight-month undercover investigation in a West Virginia Pilgrim's Pride slaughterhouse that supplies chickens to KFC. The New York Times reported the investigation as showing workers stomping on live chickens, throwing dozens against a wall, tearing the head off a chicken to write graffiti, strangling one with a latex glove, and squeezing birds until they exploded. Yum Brands, owner of KFC, called the video appalling, and threatened to stop purchasing from Pilgrim's Pride if no changes were made; Pilgrim's Pride fired 11 employees, and introduced an anti-cruelty pledge for workers to sign.
In 2004 and 2005, PETA shot footage inside Covance, an animal-testing company in the United States and Europe, that appeared to show monkeys being mistreated in the company's facility in Vienna, Virginia. According to The Washington Post, PETA said an employee of the group filmed primates there being choked, hit, and denied medical attention when badly injured. After PETA sent the video and a 253-page complaint to the United States Department of Agriculture, Covance was fined $8,720 for 16 citations, three of which involved lab monkeys; the other citations involved administrative issues and equipment. The company said none of the issues were pervasive or endemic, and that they had taken corrective action. In 2005 Covance initiated a lawsuit charging PETA with fraud, violation of employee contract, and conspiracy to harm the company's business, but did not proceed with it.
PETA also goes undercover into circuses. In 2006, they filmed trainers at Carson & Barnes Circus—including Tim Frisco, the animal-care director—striking elephants while shouting at them; The Washington Post writes that the video shows Frisco shouting "Make 'em scream!" A company spokesman dismissed PETA's concerns as 'Utopian philosophical ideology," but said the circus would no longer use electric prods.
positions
on direct action and the ALF
Newkirk is outspoken in her support of direct action, writing that no movement for social change has ever succeeded without what she calls the militarism component: "Thinkers may prepare revolutions," she wrote of the ALF in 2004, "but bandits must carry them out."
In 2004 The Observer described what it called a network of relationships between apparently unconnected animal rights groups on both sides of the Atlantic, writing that, with assets of $6.5 million, and with the PETA Foundation holding further assets of $15 million, PETA funds a number of activists and groups—some with links to militant groups, including the ALF, which the FBI has named as a domestic terrorist threat. American writer Don Liddick writes that PETA gave $1,500 to the Earth Liberation Front in 2001—Newkirk said the donation was a mistake, and that the money had been intended for public education about destruction of habitat, but Liddick writes that it went to the legal defense of Craig Rosebraugh, an ELF spokesman. That same year, according to The Observer, PETA gave a $5,000 grant to American animal rights activist Josh Harper, an advocate of arson.
According to Liddick, PETA has substantial links with Native American ALF activist Rod Coronado. He alleges that two Federal Express packages were sent to an address in Bethesda, Maryland, before and after a 1992 fire at Michigan State University that Coronado was convicted of setting, reportedly as part of "Operation Bite Back," a series of ALF attacks on American animal testing facilities in the 1990s. The first package was picked up by a PETA employee, Maria Blanton, and the second intercepted by the authorities, who identified the handwriting as Coronado's. Liddick writes that the package contained documents removed from the university and a videotape of one of the perpetrators. When they searched Blanton's home, police found some of the paraphernalia of animal liberation raids, including code names for Coronado and Alex Pacheco—PETA's co-founder—burglary tools, two-way radios, and fake identification. Liddick also writes that PETA gave Coronado $45,000 for his legal bills and another $25,000 to his father.
Newkirk is a strong supporter of direct action that removes animals from laboratories and other facilities—she told The Los Angeles Times in 1992 that when she hears of anyone walking into a lab and walking out with animals, her heart sings. In an interview for Wikinews in 2007, she said she had been asked by other animal protection groups to condemn illegal acts. "And I won't do it, because it were my animal I'd be happy." But she added that she does not support arson. "I would rather that these buildings weren't standing, and so I think at some level I understand. I just don't like the idea of that, but maybe that's wishy-washy of me, because I don't want those buildings standing if they hurt anyone ... Why would you preserve [a building] just so someone can make a profit by continuing to hurt and kill individuals who feel every bit as much as we do?"
on neutering, backyard dogs, working animals, and pets
PETA runs several programs though its Community Animal Project that helps cats and dogs in poorer areas of Virginia, near its headquarters. In 2008 they neutered 7,485 cats, dogs, and rabbits in that area, including pit bulls and feral cats, at a discounted rate or free of charge. They help neglected dogs and cats who are ill and injured, and pursue cruelty cases. Each year they set up hundreds of dog houses with straw bedding for dogs chained outside all winter. They urge population control through neutering and adoption from shelters, and campaign against organizations such as the American Kennel Club that promote the breeding of purebred strains.
PETA argues that it would have been better for animals had the institution of breeding them as "pets" never emerged, that the desire to own and receive love from animals is selfish, and that their breeding, sale, and purchase can cause immeasurable suffering. They write that millions of dogs spend their lives chained outside in all weather conditions or locked up in chain-link pens and wire cages in puppy mills, and that even in good homes animals are often not well cared for. They would like to see the population of dogs and cats reduced through spaying and neutering, and for people never to purchase animals from pet shops or breeders, but to adopt them from shelters instead. PETA supports hearing dog programs where animals are taken from shelters and placed in appropriate homes, but does not endorse seeing-eye-dog programs because, according to one of their Vice Presidents, "the dogs are bred as if there are no equally intelligent dogs literally dying for homes in shelters."
on euthanasia
PETA opposes the no kill movement. The group takes in feral cat colonies with diseases such as feline AIDS and leukemia, stray dogs, litters of parvo-infected puppies, and backyard dogs, and says that it would be unrealistic to follow a no-kill policy in such instances. They offer free euthanasia services to counties that kill unwanted animals via gassing or shooting—they recommend the use of an intravenous injection of sodium pentobarbital if administered by a trained professional, and for severely ill or dying pets when euthanasia at a veterinarian is unaffordable. They recommend euthanasia for certain breeds, such as pit bull terriers, and in certain situations for animals in shelters: for example, for those living for long periods in cramped cages.
Two PETA employees were acquitted in 2007 of animal cruelty, but convicted of littering, after at least 80 euthanized animals were left in dumpsters in a shopping center in Ashoskie over the course of a month in 2005; the two employees were seen leaving behind 18 dead animals, and 13 more were found inside their van. The animals had been euthanized after being removed from shelters in Northampton and Bertie counties. The group said it began euthanizing animals in some rural North Carolina shelters after it found the shelters killing animals in ways PETA considered inhumane.
on wildlife conservation personalities
PETA is critical of television personalities they call self-professed wildlife warriors, arguing that while a conservationist message is getting across, some of the actions are harmful to animals, such as invading animals' homes, netting them, subjecting them to stressful environments, and wrestling with them—often involving young animals the group says should be with their mothers. In 2006 when Steve Irwin died, PETA's vice-president Dan Mathews said Irwin had made a career out of antagonizing frightened wild animals. Australian Member of Parliament Bruce Scott said PETA should apologize to Irwin's family and the rest of Australia.
on animal testing
PETA opposes animal testing—whether toxicity testing, basic or applied research, or for education and training—on both moral and practical grounds. Newkirk told Vogue magazine in 1989 that even if it resulted in a cure for AIDS, PETA would oppose it. The group also believes that it is wasteful, unreliable, and irrelevant to human health, because artificially induced diseases in animals are not identical to human diseases. They say that animal experiments are frequently redundant and lack accountability, oversight, and regulation. They promote alternatives, including embryonic stem cell research and in vitro cell research. PETA employees have themselves volunteered for human testing of vaccines; Scott Van Valkenburg, the group's Director of Major Gifts, said in 1999 that he had volunteered for human testing of HIV vaccines.
position within the animal rights movement
Robert Garner of the University of Leicester writes that Newkirk and Pacheco are the leading exporters of animal rights to the more moderate groups in the United States—both members of an animal rights elite that he argues has shaken up the animal rights movement, setting up new groups and radicalizing old ones.
There is criticism of PETA from both the conservative and radical ends of the movement. Michael Specter writes that it provides for groups such as the Humane Society of the United States the same dynamic that Malcolm X provided for Martin Luther King, or Andrea Dworkin for Gloria Steinem—someone radical to alienate the mainstream and make moderate voices more appealing. The failure to condemn the Animal Liberation Front triggers complaints from the conservatives, while the more radical activists say the group has lost touch with its grassroots, is soft on the idea of animal rights, and that it should stop the media stunts, the pie-throwing, and the targeting of women. "It's hard enough trying to get people to take animal rights seriously without PETA out there acting like a bunch of jerks," one activist told writer Norm Phelps.
The ads featuring barely clad or naked women have appalled feminist animal rights advocates. When Ronald Reagan's daughter Patti Davis posed naked for Playboy, donating half her $100,000 fee to PETA, the group issued a press release saying Davis "turns the other cheek in an eye-opening spread," then announced she had been photographed naked with Hugh Hefner's dog for an anti-fur ad. In 1995, PETA formed a partnership with Playboy to promote human organ donation, with the caption "Some People Need You Inside Them" on a photograph of Hefner's wife. The long-standing campaign, "I'd rather go naked than wear fur," in which celebrities and supermodels strip for the camera, generated particular concern.
Newkirk has replied to the criticism that no one is being exploited, the women taking part are volunteers, and if sexual attraction advances the cause of animals, she is unapologetic.Asked by Wikinews how she feels when criticized from within the movement, she said: "Somebody has to push the envelope. If you say something that someone already agrees with, then what's the point, and so we make some more conservative animal protection organizations uncomfortable; they don't want to be associated with us because it will be embarrassing for them, and I understand that. Our own members write to us sometimes and say, 'Oh why did you do this? I don't want anyone to know I'm a PETA member.'"
Gary Francione, professor of law at Rutgers School of Law-Newark, argues that PETA is not an animal rights group—and further that there is no animal rights movement in the United States—because of their willigness to work with industries that use animals to achieve incremental change. This makes them an animal welfare group, in Francione's view: what he calls the new welfarists. A proponent of abolitionism, Francione argues that PETA is trivializing the movement with what he calls the "Three Stooges" theory of animal rights, making the public think progress is underway when the changes are only cosmetic.
Like Francione, PETA describes itself as abolitionist. Newkirk told an animal rights conference in 2002 that PETA's goal remains animal liberation: "Reforms move a society very importantly from A to B, from B to C, from C to D. It's very hard to take a nation or a world that is built on seeing animals as nothing more than hamburgers, handbags, cheap burglar alarms, tools for research, and move them from A to Z ..."
Francione has also criticized PETA for having caused grassroots animal rights group to close, groups that he argues were essential for the survival of the animal rights movement, which rejects the centrality of corporate animal charities. Francione writes that PETA initially set up independent chapters around the United States, but closed them in favor of a top-down, centralized organization, which not only consolidated decision-making power, but centralized donations too. Now, local animal rights donations go to PETA, rather than to a local group.
Thursday 11 November 2010
dragons
Dragons are legendary creatures, typically with serpentine or otherwise reptilian traits, that feature in the myths of many cultures.
There are two distinct cultural traditions of dragons: the European dragon, derived from European folk traditions and ultimately related to Greek and Middle Eastern mythologies, and the Chinese dragon, with counterparts in Japan, Korea and other Asian countries. The two traditions may have evolved separately, but have influenced each to a certain extent, particularly with the cross-cultural contact of recent centuries. The English word "dragon" derives from Greek δράκων (drákōn), "dragon, serpent of huge size, water-snake", which probably comes from the verb δρακεῖν (drakeîn) "to see clearly".
overview
Dragons are usually shown in modern times with a body like a huge lizard, or a snake with two pairs of lizard-type legs, and able to emit fire from their mouths. The European dragon has bat-type wings growing from its back. A dragon-like creature with no front legs is known as a wyvern. Following discovery of how pterosaurs walked on the ground, some dragons have been portrayed without front legs and using the wings as front legs pterosaur-fashion when on the ground.
Although dragons occur in many legends around the world, different cultures have varying stories about monsters that have been grouped together under the dragon label. Some dragons are said to breathe fire or to be poisonous. They are commonly portrayed as serpentine or reptilian, hatching from eggs and possessing typically scaly or feathered bodies. They are sometimes portrayed as having especially large eyes or watching treasure very diligently, a feature that is the origin of the word dragon (Greek drakeîn meaning "to see clearly"). Some myths portray them with a row of dorsal spines. European dragons are more often winged, while Chinese dragons resemble large snakes. Dragons can have a variable number of legs: none, two, four, or more when it comes to early European literature.
Dragons are often held to have major spiritual significance in various religions and cultures around the world. In many Asian cultures dragons were, and in some cultures still are, revered as representative of the primal forces of nature, religion and the universe. They are associated with wisdom—often said to be wiser than humans—and longevity. They are commonly said to possess some form of magic or other supernatural power, and are often associated with wells, rain, and rivers. In some cultures, they are also said to be capable of human speech. In some traditions dragons are said to have taught humans to talk.
The term dragoon, for infantry that moved around on horseback yet still fought as foot soldiers, is derived from their early firearm, the "dragon", a wide-bore musket that spat flame when it fired, and was thus named for the mythical creature.
origin and etymology
The word dragon derives from Greek δρακων, via Latin draco. It is attested in Middle English from the 13th century, in the context of medieval bestiaries and legends.
The Greek and Latin term referred to any great serpent, not necessarily mythological, and this usage was also current in English up to the 18th century. Today the great komodo lizard Varanus komodoensis is also known in English as the Komodo dragon. The King James Bible uses the words "serpent", "dragon" and "Devil" in a fairly interchangeable manner.
The association of the serpent with a monstrous opponent overcome by a heroic deity has its roots in the mythology of the Ancient Near East, including Canaanite (Hebrew, Ugaritic), Hittite and Mesopotamian. The Chaoskampf motif entered Greek mythology and ultimately Christian mythology, although the serpent motif may already be part of prehistoric Indo-European mythology as well, based on comparative evidence of Indic and Germanic material.
The "European dragon" (and its Near Eastern and Indic cognates) myth has quite different characteristics and origins from those of the Chinese dragon.
Dinosaur and mammalian fossils were occasionally mistaken for the bones of dragons and other mythological creature; for example, a discovery in 300 BC in Wucheng, Sichuan, China, was labeled as such by Chang Qu. Adrienne Mayor has written on the subject of fossils as the inspiration for myths in her book The First Fossil Hunters, and in an entry in the Encyclopedia of Geology she wrote: "Fossil remains generated a variety of geomyths speculating on the creatures' identity and cause of their destruction. Many ancient cultures, from China and India to Greece, America, and Australia, told tales of dragons, monsters, and giant heroes to account for fossils of animals they had never seen alive." In Australia, stories of such creatures may have referred to the land crocodiles, Quinkana sp., a terrestrial crocodile which grew from 5 to possibly 7 metres in length, or the 4 tonne monitor lizard Varanus priscus (formerly Megalania prisca) a giant, carnivorous goanna that might have grown to as long as 7 metres, and weighed up to 1,940 kilograms, or rainbow serpents (possibly Wonambi naracoortensis) that were part of the extinct megafauna of that continent.
In the book An Instinct for Dragons anthropologist David E. Jones suggests a hypothesis that humans just like monkeys have inherited instinctive reactions to snakes, large cats and birds of prey. Dragons have features that are combinations of these three. Our instinctive fear for these three would explain why dragons with similar features occur in stories from independent cultures on all continents. Other authors have suggested that especially under the influence of drugs or in dreams, this instinct may give raise to fantasies about dragons, snakes, spiders, etc., which would explain why these symbols are popular in drug culture. The traditional mainstream explanation to the folklore dragons does however not rely on human instinct, but on the assumption that fossil remains of dinosaurs gave rise to similar speculations all over the world.
by region
Greek mythology
In Ancient Greece the first mention of a "dragon" is derived from the Iliad where Agamemnon is described as having a blue dragon motif on his sword belt and a three-headed dragon emblem on his breast plate. However, the Greek word used (δράκων drákōn, genitive δράκοντοϛ drákontos) could also mean "snake". δράκων drákōn is a form of the aorist participle active of Greek δέρκομαι dérkomai = "I see", derkeîn = "to see", and originally likely meant "that which sees", or "that which flashes or gleams" (perhaps referring to reflective scales). This is the origin of the word "dragon".
In 217 A.D., Philostratus discussed dragons (δράκων, drákōn) in India in The Life of Apollonius of Tyana (II,17 and III,6-8). The Loeb Classical Library translation (by F.C. Conybeare) mentions (III,7) that “In most respects the tusks resemble the largest swine’s, but they are slighter in build and twisted, and have a point as unabraded as sharks’ teeth.”
According to Aelian's On Animals, Ethiopia was inhabited by a species of dragon that hunted elephants. It could grow to a length of 180 feet and had a lifespan rivaling that of the most enduring of animals.
european
European dragons exist in folklore and mythology among the overlapping cultures of Europe. Despite having wings, the dragon is generally depicted as having an underground lair or cave, making it an ancient creature of the earth element. European dragons are usually depicted as malevolent though there are exceptions (such as Y Ddraig Goch, the Red Dragon of Wales).
chinese
Chinese dragons (simplified Chinese: 龙; traditional Chinese: 龍; pinyin: lóng) can take on human form and are usually seen as benevolent. Dragons are particularly popular in China and the five-clawed dragon was a symbol of the Chinese emperors, with the mythical bird fenghuang the symbol of the Chinese empress. Dragon costumes manipulated by several people are a common sight at Chinese festivals.
japanese
Japanese dragon myths amalgamate native legends with imported stories about dragons from China, Korea and India. Like these other Asian dragons, most Japanese ones are water deities associated with rainfall and bodies of water, and are typically depicted as large, wingless, serpentine creatures with clawed feet. Gould writes (1896:248), the Japanese dragon is "invariably figured as possessing three claws".
vedic
In the early Vedic religion, Vritra (Sanskrit: वृत्र (Devanāgarī) or Vṛtra (IAST)) "the enveloper", was an Asura and also a "naga" (serpent) or possibly dragon-like creature, the personification of drought and enemy of Indra. Vritra was also known in the Vedas as Ahi ("snake"), and he is said to have had three heads.
indian
The following detailed account comes from the Life of Apollonius of Tyana by Flavius Philostratus:
The whole of India is girt with dragons of enormous size; for not only the marshes are full of them, but the mountains as well, and there is not a single ridge without one. Now the marsh kind are sluggish in their habits and are thirty cubits long, and they have no crest standing up on their heads, but in this respect resemble the she-dragons. Their backs however are very black, with fewer scales on them than the other kinds; and Homer has described them with deeper insight than have most poets, for he says that the dragon that lived hard by the spring in Aulis had a tawny back; but other poets declare that the congener of this one in the grove of Nemea also had a crest, a feature which we could not verify in regard to the marsh dragons.
And the dragons along the foothills and the mountain crests make their way into the plains after their quarry, and prey upon all the creatures in the marshes; for indeed they reach an extreme length, and move faster than the swiftest rivers, so that nothing escapes them. These actually have a crest, of moderate extent and height when they are young; but as they reach their full size, it grows with them and extends to a considerable height, at which time also they turn red and get serrated backs. This kind also have beards, and lift their necks on high, while their scales glitter like silver; and the pupils of their eves consist of a fiery stone, and they say that this has an uncanny power for many secret purposes. The plain specimen falls the prize of the hunters whenever it draws upon itself an elephant; for the destruction of both creatures is the result, and those who capture the dragons are rewarded by getting the eyes and skin and teeth. In most respects they resemble the largest swine, but they are slighter in build and flexible, and they have teeth as sharp and indestructible as those of the largest fishes. Now the dragons of the mountains have scales of a golden colour, and in length excel those of the plain, and they have bushy beards, which also are of a golden hue; and their eyebrows are more prominent than those of the plain, and their eye is sunk deep under the eyebrow, and emits a terrible and ruthless glance. And they give off a noise like the clashing of brass whenever they are burrowing under the earth, and from their crests, which are all fiery red, there flashes a fire brighter than a torch. They also can catch the elephants, though they are themselves caught by the Indians in the following manner. They embroider golden runes on a scarlet cloak, which they lay in front of the animal's burrow after charming them to sleep with the runes; for this is the only way to overcome the eyes of the dragon, which are otherwise inflexible, and much mysterious lore is sung by them to overcome him. These runes induce the dragon to stretch his neck out of his burrow and fall asleep over them : then the Indians fall upon him as he lies there, and despatch him with blows of their axes, and having cut off the head they despoil it of its gems. And they say that in the heads of the mountain dragons there are stored away stones of flowery colour, which flash out all kinds of hues, and possess a mystical power if set in a ring, like that which they say belonged to Gyges. But often the Indian, in spite of his axe and his cunning, is caught by the dragon, who carries him off into his burrow, and almost shakes the mountains as he' disappears. These are also said to inhabit the mountains in the neighbourhood of the Red Sea, and they say that they heard them hissing terribly and that they saw them go down to the shore and swim far out into the sea.
—Flavius Philostratus, The Life of Apollonius of Tyana
persian
Aži Dahāka is the source of the modern Persian word azhdahā or ezhdehā اژده ها (Middle Persian azdahāg) meaning "dragon", often used of a dragon depicted upon a banner of war. The Persians believed that the baby of a dragon will be the same color as the mother's eyes. In Middle Persian he is called Dahāg or Bēvar-Asp, the latter meaning "[he who has] 10,000 horses." Several other dragons and dragon-like creatures, all of them malevolent, are mentioned in Zoroastrian scripture.
jewish
In Jewish religious texts, the first mention of a dragon-like creature is in the Biblical works of Job (26:13), and Isaiah (27:1) where it is called Nachash Bare'ach, or a "Pole Serpent".This is identified in the Midrash Rabba to Genesis 1:21 as Leviathan from the word Taninim (תנינים) "and God created the great sea-monsters." In modern Hebrew the word Taninim is used for Crocodiles but this is a 20th century usage unconnected with the original Biblical meaning.
In Jewish astronomy this is also identified with the North Pole, the star Thuban which, around 4,500 years ago, was the star in the Draco constellation's "tail". However this can also have been either the celestial pole or the ecliptic pole. The ancient observers noted that Draco was at the top of the celestial pole, giving the appearance that stars were "hanging" from it, and in Hebrew it is referred to as Teli, from talah (תלה) - to hang. Hebrew writers from Arabic-speaking locations identified the Teli as Al Jaz'har, which is a Persian word for a "knot" or a "node" because of the intersection of the inclination of the orbit of a planet from the elliptic that forms two such nodes. In modern astronomy these are called the ascending node and the descending node, but in medieval astronomy they were referred to as "dragon's head" and "dragon's tail".
Rahab, as described in Psalms 89:9-10 and Isaiah 51:9-10, also has "dragon-like" characteristics.
The Merthyr Synagogue features a dragon on the front gable.
modern depictions
theme—as symbols of sin but also as a nature force, fighting against man.
There are numerous examples of dragons in modern literature, especially the fantasy genre. In the 1937 fantasy novel The Hobbit by J.R.R. Tolkien, the major antagonist is a dragon named Smaug. Smaug hoards a great treasure but is ultimately shot down with an arrow by an archer who was told about a soft patch in Smaug's underbelly armor. Other dragons appearing in Tolkien's works include Glaurung, the "father of dragons" created by Morgoth, along with Ancalagon the Black and Scatha. Also, in Tolkien's Farmer Giles of Ham, a dragon named Chrysophylax Dives is encountered.
Dragons also appear frequently in the Harry Potter novels by J. K. Rowling, and are described in the Harry Potter related book Fantastic Beasts and Where to Find Them by the same author.
Dragonriders of Pern is an extensive science fiction series of novels and short stories created and primarily written by Anne McCaffrey. Since 2004, McCaffrey's son Todd McCaffrey has also published Pern novels, both in collaboration with Anne and on his own. The Pernese use intelligent firebreathing creatures called "dragons" who have a telepathic bond with their riders, formed by mental impressions which the dragons receive when they hatch from their eggs.
Some modern pseudo-biological accounts of dragons give them the generic name Draco, although the generic name Draco is used in real-world biology for a genus of small gliding agamid lizard. An infectious disease called Dracunculiasis, caused by infection with the Guinea worm which grows up to 3 feet (0.91 m) long before emerging from its host, also derives its name from dragons (literally "infestation with little dragons"), based on the burning pain experienced by sufferers.
creationists' assertions
Some creationists believe that dragons of mythology were actually dinosaurs, and that they died out with other creatures around the end of the ice age.
cartography
There is a widespread belief that earlier cartographers used the Latin phrase hic sunt dracones, i.e., "the dragons are here", or "here be dragons", to denote dangerous or unexplored territories, in imitation of the infrequent medieval practice of putting sea serpents and other mythological creatures in blank areas of maps. However the only known use of this phrase is in the Latin form "HC SVNT DRACONES" on the Lenox Globe (ca. 1503-07).
There are two distinct cultural traditions of dragons: the European dragon, derived from European folk traditions and ultimately related to Greek and Middle Eastern mythologies, and the Chinese dragon, with counterparts in Japan, Korea and other Asian countries. The two traditions may have evolved separately, but have influenced each to a certain extent, particularly with the cross-cultural contact of recent centuries. The English word "dragon" derives from Greek δράκων (drákōn), "dragon, serpent of huge size, water-snake", which probably comes from the verb δρακεῖν (drakeîn) "to see clearly".
overview
Dragons are usually shown in modern times with a body like a huge lizard, or a snake with two pairs of lizard-type legs, and able to emit fire from their mouths. The European dragon has bat-type wings growing from its back. A dragon-like creature with no front legs is known as a wyvern. Following discovery of how pterosaurs walked on the ground, some dragons have been portrayed without front legs and using the wings as front legs pterosaur-fashion when on the ground.
Although dragons occur in many legends around the world, different cultures have varying stories about monsters that have been grouped together under the dragon label. Some dragons are said to breathe fire or to be poisonous. They are commonly portrayed as serpentine or reptilian, hatching from eggs and possessing typically scaly or feathered bodies. They are sometimes portrayed as having especially large eyes or watching treasure very diligently, a feature that is the origin of the word dragon (Greek drakeîn meaning "to see clearly"). Some myths portray them with a row of dorsal spines. European dragons are more often winged, while Chinese dragons resemble large snakes. Dragons can have a variable number of legs: none, two, four, or more when it comes to early European literature.
Dragons are often held to have major spiritual significance in various religions and cultures around the world. In many Asian cultures dragons were, and in some cultures still are, revered as representative of the primal forces of nature, religion and the universe. They are associated with wisdom—often said to be wiser than humans—and longevity. They are commonly said to possess some form of magic or other supernatural power, and are often associated with wells, rain, and rivers. In some cultures, they are also said to be capable of human speech. In some traditions dragons are said to have taught humans to talk.
The term dragoon, for infantry that moved around on horseback yet still fought as foot soldiers, is derived from their early firearm, the "dragon", a wide-bore musket that spat flame when it fired, and was thus named for the mythical creature.
origin and etymology
The word dragon derives from Greek δρακων, via Latin draco. It is attested in Middle English from the 13th century, in the context of medieval bestiaries and legends.
The Greek and Latin term referred to any great serpent, not necessarily mythological, and this usage was also current in English up to the 18th century. Today the great komodo lizard Varanus komodoensis is also known in English as the Komodo dragon. The King James Bible uses the words "serpent", "dragon" and "Devil" in a fairly interchangeable manner.
The association of the serpent with a monstrous opponent overcome by a heroic deity has its roots in the mythology of the Ancient Near East, including Canaanite (Hebrew, Ugaritic), Hittite and Mesopotamian. The Chaoskampf motif entered Greek mythology and ultimately Christian mythology, although the serpent motif may already be part of prehistoric Indo-European mythology as well, based on comparative evidence of Indic and Germanic material.
The "European dragon" (and its Near Eastern and Indic cognates) myth has quite different characteristics and origins from those of the Chinese dragon.
Dinosaur and mammalian fossils were occasionally mistaken for the bones of dragons and other mythological creature; for example, a discovery in 300 BC in Wucheng, Sichuan, China, was labeled as such by Chang Qu. Adrienne Mayor has written on the subject of fossils as the inspiration for myths in her book The First Fossil Hunters, and in an entry in the Encyclopedia of Geology she wrote: "Fossil remains generated a variety of geomyths speculating on the creatures' identity and cause of their destruction. Many ancient cultures, from China and India to Greece, America, and Australia, told tales of dragons, monsters, and giant heroes to account for fossils of animals they had never seen alive." In Australia, stories of such creatures may have referred to the land crocodiles, Quinkana sp., a terrestrial crocodile which grew from 5 to possibly 7 metres in length, or the 4 tonne monitor lizard Varanus priscus (formerly Megalania prisca) a giant, carnivorous goanna that might have grown to as long as 7 metres, and weighed up to 1,940 kilograms, or rainbow serpents (possibly Wonambi naracoortensis) that were part of the extinct megafauna of that continent.
In the book An Instinct for Dragons anthropologist David E. Jones suggests a hypothesis that humans just like monkeys have inherited instinctive reactions to snakes, large cats and birds of prey. Dragons have features that are combinations of these three. Our instinctive fear for these three would explain why dragons with similar features occur in stories from independent cultures on all continents. Other authors have suggested that especially under the influence of drugs or in dreams, this instinct may give raise to fantasies about dragons, snakes, spiders, etc., which would explain why these symbols are popular in drug culture. The traditional mainstream explanation to the folklore dragons does however not rely on human instinct, but on the assumption that fossil remains of dinosaurs gave rise to similar speculations all over the world.
by region
Greek mythology
In Ancient Greece the first mention of a "dragon" is derived from the Iliad where Agamemnon is described as having a blue dragon motif on his sword belt and a three-headed dragon emblem on his breast plate. However, the Greek word used (δράκων drákōn, genitive δράκοντοϛ drákontos) could also mean "snake". δράκων drákōn is a form of the aorist participle active of Greek δέρκομαι dérkomai = "I see", derkeîn = "to see", and originally likely meant "that which sees", or "that which flashes or gleams" (perhaps referring to reflective scales). This is the origin of the word "dragon".
In 217 A.D., Philostratus discussed dragons (δράκων, drákōn) in India in The Life of Apollonius of Tyana (II,17 and III,6-8). The Loeb Classical Library translation (by F.C. Conybeare) mentions (III,7) that “In most respects the tusks resemble the largest swine’s, but they are slighter in build and twisted, and have a point as unabraded as sharks’ teeth.”
According to Aelian's On Animals, Ethiopia was inhabited by a species of dragon that hunted elephants. It could grow to a length of 180 feet and had a lifespan rivaling that of the most enduring of animals.
european
European dragons exist in folklore and mythology among the overlapping cultures of Europe. Despite having wings, the dragon is generally depicted as having an underground lair or cave, making it an ancient creature of the earth element. European dragons are usually depicted as malevolent though there are exceptions (such as Y Ddraig Goch, the Red Dragon of Wales).
chinese
Chinese dragons (simplified Chinese: 龙; traditional Chinese: 龍; pinyin: lóng) can take on human form and are usually seen as benevolent. Dragons are particularly popular in China and the five-clawed dragon was a symbol of the Chinese emperors, with the mythical bird fenghuang the symbol of the Chinese empress. Dragon costumes manipulated by several people are a common sight at Chinese festivals.
japanese
Japanese dragon myths amalgamate native legends with imported stories about dragons from China, Korea and India. Like these other Asian dragons, most Japanese ones are water deities associated with rainfall and bodies of water, and are typically depicted as large, wingless, serpentine creatures with clawed feet. Gould writes (1896:248), the Japanese dragon is "invariably figured as possessing three claws".
vedic
In the early Vedic religion, Vritra (Sanskrit: वृत्र (Devanāgarī) or Vṛtra (IAST)) "the enveloper", was an Asura and also a "naga" (serpent) or possibly dragon-like creature, the personification of drought and enemy of Indra. Vritra was also known in the Vedas as Ahi ("snake"), and he is said to have had three heads.
indian
The following detailed account comes from the Life of Apollonius of Tyana by Flavius Philostratus:
The whole of India is girt with dragons of enormous size; for not only the marshes are full of them, but the mountains as well, and there is not a single ridge without one. Now the marsh kind are sluggish in their habits and are thirty cubits long, and they have no crest standing up on their heads, but in this respect resemble the she-dragons. Their backs however are very black, with fewer scales on them than the other kinds; and Homer has described them with deeper insight than have most poets, for he says that the dragon that lived hard by the spring in Aulis had a tawny back; but other poets declare that the congener of this one in the grove of Nemea also had a crest, a feature which we could not verify in regard to the marsh dragons.
And the dragons along the foothills and the mountain crests make their way into the plains after their quarry, and prey upon all the creatures in the marshes; for indeed they reach an extreme length, and move faster than the swiftest rivers, so that nothing escapes them. These actually have a crest, of moderate extent and height when they are young; but as they reach their full size, it grows with them and extends to a considerable height, at which time also they turn red and get serrated backs. This kind also have beards, and lift their necks on high, while their scales glitter like silver; and the pupils of their eves consist of a fiery stone, and they say that this has an uncanny power for many secret purposes. The plain specimen falls the prize of the hunters whenever it draws upon itself an elephant; for the destruction of both creatures is the result, and those who capture the dragons are rewarded by getting the eyes and skin and teeth. In most respects they resemble the largest swine, but they are slighter in build and flexible, and they have teeth as sharp and indestructible as those of the largest fishes. Now the dragons of the mountains have scales of a golden colour, and in length excel those of the plain, and they have bushy beards, which also are of a golden hue; and their eyebrows are more prominent than those of the plain, and their eye is sunk deep under the eyebrow, and emits a terrible and ruthless glance. And they give off a noise like the clashing of brass whenever they are burrowing under the earth, and from their crests, which are all fiery red, there flashes a fire brighter than a torch. They also can catch the elephants, though they are themselves caught by the Indians in the following manner. They embroider golden runes on a scarlet cloak, which they lay in front of the animal's burrow after charming them to sleep with the runes; for this is the only way to overcome the eyes of the dragon, which are otherwise inflexible, and much mysterious lore is sung by them to overcome him. These runes induce the dragon to stretch his neck out of his burrow and fall asleep over them : then the Indians fall upon him as he lies there, and despatch him with blows of their axes, and having cut off the head they despoil it of its gems. And they say that in the heads of the mountain dragons there are stored away stones of flowery colour, which flash out all kinds of hues, and possess a mystical power if set in a ring, like that which they say belonged to Gyges. But often the Indian, in spite of his axe and his cunning, is caught by the dragon, who carries him off into his burrow, and almost shakes the mountains as he' disappears. These are also said to inhabit the mountains in the neighbourhood of the Red Sea, and they say that they heard them hissing terribly and that they saw them go down to the shore and swim far out into the sea.
—Flavius Philostratus, The Life of Apollonius of Tyana
persian
Aži Dahāka is the source of the modern Persian word azhdahā or ezhdehā اژده ها (Middle Persian azdahāg) meaning "dragon", often used of a dragon depicted upon a banner of war. The Persians believed that the baby of a dragon will be the same color as the mother's eyes. In Middle Persian he is called Dahāg or Bēvar-Asp, the latter meaning "[he who has] 10,000 horses." Several other dragons and dragon-like creatures, all of them malevolent, are mentioned in Zoroastrian scripture.
jewish
In Jewish religious texts, the first mention of a dragon-like creature is in the Biblical works of Job (26:13), and Isaiah (27:1) where it is called Nachash Bare'ach, or a "Pole Serpent".This is identified in the Midrash Rabba to Genesis 1:21 as Leviathan from the word Taninim (תנינים) "and God created the great sea-monsters." In modern Hebrew the word Taninim is used for Crocodiles but this is a 20th century usage unconnected with the original Biblical meaning.
In Jewish astronomy this is also identified with the North Pole, the star Thuban which, around 4,500 years ago, was the star in the Draco constellation's "tail". However this can also have been either the celestial pole or the ecliptic pole. The ancient observers noted that Draco was at the top of the celestial pole, giving the appearance that stars were "hanging" from it, and in Hebrew it is referred to as Teli, from talah (תלה) - to hang. Hebrew writers from Arabic-speaking locations identified the Teli as Al Jaz'har, which is a Persian word for a "knot" or a "node" because of the intersection of the inclination of the orbit of a planet from the elliptic that forms two such nodes. In modern astronomy these are called the ascending node and the descending node, but in medieval astronomy they were referred to as "dragon's head" and "dragon's tail".
Rahab, as described in Psalms 89:9-10 and Isaiah 51:9-10, also has "dragon-like" characteristics.
The Merthyr Synagogue features a dragon on the front gable.
modern depictions
theme—as symbols of sin but also as a nature force, fighting against man.
There are numerous examples of dragons in modern literature, especially the fantasy genre. In the 1937 fantasy novel The Hobbit by J.R.R. Tolkien, the major antagonist is a dragon named Smaug. Smaug hoards a great treasure but is ultimately shot down with an arrow by an archer who was told about a soft patch in Smaug's underbelly armor. Other dragons appearing in Tolkien's works include Glaurung, the "father of dragons" created by Morgoth, along with Ancalagon the Black and Scatha. Also, in Tolkien's Farmer Giles of Ham, a dragon named Chrysophylax Dives is encountered.
Dragons also appear frequently in the Harry Potter novels by J. K. Rowling, and are described in the Harry Potter related book Fantastic Beasts and Where to Find Them by the same author.
Dragonriders of Pern is an extensive science fiction series of novels and short stories created and primarily written by Anne McCaffrey. Since 2004, McCaffrey's son Todd McCaffrey has also published Pern novels, both in collaboration with Anne and on his own. The Pernese use intelligent firebreathing creatures called "dragons" who have a telepathic bond with their riders, formed by mental impressions which the dragons receive when they hatch from their eggs.
Some modern pseudo-biological accounts of dragons give them the generic name Draco, although the generic name Draco is used in real-world biology for a genus of small gliding agamid lizard. An infectious disease called Dracunculiasis, caused by infection with the Guinea worm which grows up to 3 feet (0.91 m) long before emerging from its host, also derives its name from dragons (literally "infestation with little dragons"), based on the burning pain experienced by sufferers.
creationists' assertions
Some creationists believe that dragons of mythology were actually dinosaurs, and that they died out with other creatures around the end of the ice age.
cartography
There is a widespread belief that earlier cartographers used the Latin phrase hic sunt dracones, i.e., "the dragons are here", or "here be dragons", to denote dangerous or unexplored territories, in imitation of the infrequent medieval practice of putting sea serpents and other mythological creatures in blank areas of maps. However the only known use of this phrase is in the Latin form "HC SVNT DRACONES" on the Lenox Globe (ca. 1503-07).
Tuesday 9 November 2010
barbie
Barbie is a fashion doll manufactured by the American toy-company Mattel, Inc. and launched in March 1959. American businesswoman Ruth Handler is credited with the creation of the doll using a German doll called Bild Lilli as her inspiration.
Barbie is the figurehead of a brand of Mattel dolls and accessories, including other family members and collectible dolls. Barbie has been an important part of the toy fashion doll market for fifty years, and has been the subject of numerous controversies and lawsuits, often involving parody of the doll and her lifestyle.
history
Ruth Handler watched her daughter Barbara at play with paper dolls, and noticed that she often enjoyed giving them adult roles. At the time, most children's toy dolls were representations of infants. Realizing that there could be a gap in the market, Handler suggested the idea of an adult-bodied doll to her husband Elliot, a co-founder of the Mattel toy company. He was unenthusiastic about the idea, as were Mattel's directors.
During a trip to Europe in 1956 with her children Barbara and Kenneth, Ruth Handler came across a German toy doll called Bild Lilli. The adult-figured doll was exactly what Handler had in mind, so she purchased three of them. She gave one to her daughter and took the others back to Mattel. The Lilli doll was based on a popular character appearing in a comic strip drawn by Reinhard Beuthin for the newspaper Die Bild-Zeitung. Lilli was a working girl who knew what she wanted and was not above using men to get it. The Lilli doll was first sold in Germany in 1955, and although it was initially sold to adults, it became popular with children who enjoyed dressing her up in outfits that were available separately.
Upon her return to the United States, Handler reworked the design of the doll (with help from engineer Jack Ryan) and the doll was given a new name, Barbie, after Handler's daughter Barbara. The doll made its debut at the American International Toy Fair in New York on March 9, 1959. This date is also used as Barbie's official birthday.
Mattel acquired the rights to the Bild Lilli doll in 1964 and production of Lilli was stopped. The first Barbie doll wore a black and white zebra striped swimsuit and signature topknot ponytail, and was available as either a blonde or brunette. The doll was marketed as a "Teen-age Fashion Model," with her clothes created by Mattel fashion designer Charlotte Johnson. The first Barbie dolls were manufactured in Japan, with their clothes hand-stitched by Japanese homeworkers. Around 350,000 Barbie dolls were sold during the first year of production.
Ruth Handler believed that it was important for Barbie to have an adult appearance, and early market research showed that some parents were unhappy about the doll's chest, which had distinct breasts. Barbie's appearance has been changed many times, most notably in 1971 when the doll's eyes were adjusted to look forwards rather than having the demure sideways glance of the original model.
Barbie was one of the first toys to have a marketing strategy based extensively on television advertising, which has been copied widely by other toys. It is estimated that over a billion Barbie dolls have been sold worldwide in over 150 countries, with Mattel claiming that three Barbie dolls are sold every second.
The standard range of Barbie dolls and related accessories are manufactured to approximately 1/6th scale, which is also known as playscale. Barbie products include not only the range of dolls with their clothes and accessories, but also a large range of Barbie branded goods such as books, apparel, cosmetics and video games. Barbie has appeared in a series of animated films and is a supporting character in Toy Story 2 and Toy Story 3.
Barbie has become a cultural icon and has been given honors that are rare in the toy world. In 1974 a section of Times Square in New York City was renamed Barbie Boulevard for a week. In 1985 the artist Andy Warhol created a painting of Barbie.
In 2009, Barbie celebrated her 50th birthday. The celebrations included a runway show in New York for the Mercedes-Benz Fashion Week. The event showcased fashions contributed by fifty well-known haute couturiers including Diane von Fürstenberg, Vera Wang, Calvin Klein, Bob Mackie, and Christian Louboutin.
biography
Barbie's full name is Barbra Millicent Roberts. In a series of novels published by Random House in the 1960s, her parents' names are given as George and Margaret Roberts from the fictional town of Willows, Wisconsin. In the Random House novels, Barbie attended Willows High School, while in the Generation Girl books published by Golden Books in 1999 she attended the fictional Manhattan International High School in New York City (based on the real-life Stuyvesant High School).
She has an on-off romantic relationship with her boyfriend Ken (Ken Carson), who first appeared in 1961. A news release from Mattel in February 2004 announced that Barbie and Ken had decided to split up, but in February 2006 they were hoping to rekindle their relationship after Ken had a makeover.
Barbie has had over 40 pets including cats and dogs, horses, a panda, a lion cub, and a zebra. She has owned a wide range of vehicles, including pink Corvette convertibles, trailers and jeeps. She also holds a pilot's license, and operates commercial airliners in addition to serving as a flight attendant. Barbie's careers are designed to show that women can take on a variety of roles in life, and the doll has been sold with a wide range of titles including Miss Astronaut Barbie (1965), Doctor Barbie (1988) and Nascar Barbie (1998).
Mattel has created a range of companions for Barbie, including Hispanic Teresa, Midge, African American Christie and Steven (Christie's boyfriend). Barbie's siblings and cousins were also created including Skipper, Todd (Stacie's twin brother), Stacie (Todd's twin sister), Kelly, Krissy, and Francie. Barbie was friendly with Blaine, an Australian surfer, during her split with Ken in 2004.
controversies
Barbie's popularity ensures that her effect on the play of children attracts a high degree of scrutiny. The criticisms leveled at her are often based on the assumption that children consider Barbie a role model and will attempt to emulate her.
One of the most common criticisms of Barbie is that she promotes an unrealistic idea of body image for a young woman, leading to a risk that girls who attempt to emulate her will become anorexic. A standard Barbie doll is 11.5 inches tall, giving a height of 5 feet 9 inches at 1/6 scale. Barbie's vital statistics have been estimated at 36 inches (chest), 18 inches (waist) and 33 inches (hips). According to research by the University Central Hospital in Helsinki, Finland, she would lack the 17 to 22 percent body fat required for a woman to menstruate. In 1963 the outfit "Barbie Baby-Sits" came with a book entitled How to Lose Weight which advised: "Don't eat." The same book was included in another ensemble called "Slumber Party" in 1965 along with a pink bathroom scale reading 110 lbs., which would be around 35 lbs. underweight for a woman 5 feet 9 inches tall. In 1997 Barbie's body mold was redesigned and given a wider waist, with Mattel saying that this would make the doll better suited to contemporary fashion designs.
"Colored Francie" made her debut in 1967, and she is sometimes described as the first African American Barbie doll. However, she was produced using the existing head molds for the white Francie doll and lacked African characteristics other than a dark skin. The first African American doll in the Barbie range is usually regarded as Christie, who made her debut in 1968. Black Barbie was launched in 1980 but still had white features. In September 2009, Mattel introduced the So In Style range, which was intended to create a more realistic depiction of black people than previous dolls.
In July 1992 Mattel released Teen Talk Barbie, which spoke a number of phrases including "Will we ever have enough clothes?", "I love shopping!", and "Wanna have a pizza party?" Each doll was programmed to say four out of 270 possible phrases, so that no two dolls were likely to be the same. One of these 270 phrases was "Math class is tough!" (often misquoted as "Math is hard"). Although only about 1.5% of all the dolls sold said the phrase, it led to criticism from the American Association of University Women. In October 1992 Mattel announced that Teen Talk Barbie would no longer say the phrase, and offered a swap to anyone who owned a doll that did.
In 1997 Mattel joined forces with Nabisco to launch a cross-promotion of Barbie with Oreo cookies. Oreo Fun Barbie was marketed as someone with whom little girls could play after class and share "America's favorite cookie." As had become the custom, Mattel manufactured both a white and a black version. Critics argued that in the African American community Oreo is a derogatory term meaning that the person is "black on the outside and white on the inside," like the chocolate sandwich cookie itself. The doll was unsuccessful and Mattel recalled the unsold stock, making it sought after by collectors.
In May 1997 Mattel introduced Share a Smile Becky, a doll in a pink wheelchair. Kjersti Johnson, a 17-year-old high school student in Tacoma, Washington with cerebral palsy, pointed out that the doll would not fit into the elevator of Barbie's $100 Dream House. Mattel announced that it would redesign the house in the future to accommodate the doll.
In March 2000 stories appeared in the media claiming that the hard vinyl used in vintage Barbie dolls could leak toxic chemicals, causing danger to children playing with them. The claim was rejected as false by technical experts. A modern Barbie doll has a body made from ABS plastic, while the head is made from soft PVC.
In September 2003 the Middle Eastern country of Saudi Arabia outlawed the sale of Barbie dolls, saying that she did not conform to the ideals of Islam. The Committee for the Propagation of Virtue and Prevention of Vice stated "Jewish Barbie dolls, with their revealing clothes and shameful postures, accessories and tools are a symbol of decadence to the perverted West. Let us beware of her dangers and be careful." In Middle Eastern countries there is an alternative doll called Fulla which is similar to Barbie but is designed to be more acceptable to an Islamic market. Fulla is not made by the Mattel Corporation, and Barbie is still available in other Middle Eastern countries including Egypt. In Iran, Sara and Dara dolls are available as an alternative to Barbie.
In December 2005 Dr. Agnes Nairn at the University of Bath in England published research suggesting that girls often go through a stage where they hate their Barbie dolls and subject them to a range of punishments, including decapitation and placing the doll in a microwave oven. Dr. Nairn said: "It's as though disavowing Barbie is a rite of passage and a rejection of their past."
In April 2009, the launch of a Totally Tattoos Barbie with a range of tattoos that could be applied to the doll, including a lower back tattoo, led to controversy. Mattel's promotional material read "Customize the fashions and apply the fun temporary tattoos on you too", but Ed Mayo, chief executive of Consumer Focus, argued that children might want to get tattooed themselves.
In November 2010, Mattel released "Barbie Video Girl", a barbie with a pinhole video camera, enabling clips of 30 minutes each to be recorded, viewed and uploaded. At least one expert is concerned that some of these videos could be "inappropriate."
parodies and lawsuits
Barbie has frequently been the target of parody:
In 1993 a group calling itself the "Barbie Liberation Organization" secretly modified a group of Barbie dolls by implanting voice boxes from G.I. Joe dolls, then returning the Barbies to the toy stores from where they were purchased.
Malibu Stacy from The Simpsons episode "Lisa vs. Malibu Stacy".
Aqua's song "Barbie Girl" was the subject of a lawsuit by Mattel.
Two commercials by automobile company Nissan featuring dolls similar to Barbie and Ken was the subject of another lawsuit in 1997. In the first commercial, a female doll is lured into a car by a doll resembling GI Joe to the dismay of a Ken-like doll, accompanied by Van Halen's You Really Got Me. In the second commercial, the "Barbie" doll is saved by the "G.I. Joe" doll after she is accidentally knocked into a swimming pool by the "Ken" doll to Kiss's "Dr. Love". The makers of the commercial said that the dolls' names were Roxanne, Nick, and Tad. Mattel claimed that the commercial did "irreparable damage" to its products,but settled.
Saturday Night Live aired a parody of the Barbie commercials featuring "Gangsta Bitch Barbie" and "Tupac Ken". In 2002, the show also aired a skit, which starred Britney Spears as Barbie's sister Skipper.
The Tonight Show with Jay Leno displayed a "Barbie Crystal Meth Lab".
Mattel sued artist Tom Forsythe over a series of photographs called Food Chain Barbie in which Barbie winds up in a blender.
In November 2002 a New York judge refused an injunction against the British-based artist Susanne Pitt, who had produced a "Dungeon Barbie" doll in bondage clothing.
Mattel filed a lawsuit in 2004 against Barbara Anderson-Walley over her website www.barbiesshop.com, which sells fetish clothing.
collecting
Mattel estimates that there are well over 100,000 avid Barbie collectors. Ninety percent are women, at an average age of 40, purchasing more than twenty Barbie dolls each year. Forty-five percent of them spend upwards of $1000 a year. Vintage Barbie dolls from the early years are the most valuable at auction, and while the original Barbie was sold for $3.00 in 1959, a mint boxed Barbie from 1959 sold for $3552.50 on eBay in October 2004. On September 26, 2006, a Barbie doll set a world record at auction of £9,000 sterling (US $17,000) at Christie's in London. The doll was a Barbie in Midnight Red from 1965 and was part of a private collection of 4,000 Barbie dolls being sold by two Dutch women, Ietje Raebel and her daughter Marina.
In recent years Mattel has sold a wide range of Barbie dolls aimed specifically at collectors, including porcelain versions, vintage reproductions, and depictions of Barbie as a range of characters from film and television series such as The Munsters and Star Trek. There are also collector's edition dolls depicting Barbie dolls with a range of different ethnic identities.In 2004 Mattel introduced the Color Tier system for its collector's edition Barbie dolls, ranging through pink, silver, gold and platinum depending on how many of the dolls are produced.
competition from Bratz dolls
In June 2001, MGA Entertainment launched the Bratz range of dolls, a move that would give Barbie her first serious competition in the fashion doll market. In 2004 sales figures showed that Bratz dolls were outselling Barbie dolls in the United Kingdom, although Mattel maintained that in terms of the number of dolls, clothes and accessories sold, Barbie remained the leading brand.
In 2005 figures showed that sales of Barbie dolls had fallen by 30% in the United States, and by 18% worldwide, with much of the drop being attributed to the popularity of Bratz dolls.
In December 2006, Mattel sued MGA Entertainment for $500 million, alleging that Bratz creator Carter Bryant was working for Mattel when he developed the idea for Bratz.
On July 17, 2008, a federal jury agreed that the Bratz line was created by Carter Bryant while he was working for Mattel. The jury also ruled that MGA and its Chief Executive Officer Isaac Larian were liable for converting Mattel property for their own use and intentionally interfering with the contractual duties owed by Bryant to Mattel.
On August 26, the jury found that Mattel would have to be paid $100 million in damages. On December 3, 2008, U.S. District Judge Stephen Larson banned MGA from selling Bratz. He allowed the company to continue selling the dolls until the winter holiday season ended. MGA is currently appealing against the court's ruling.
In August 2009, MGA introduced a range of dolls called Moxie Girlz, intended as a replacement for Bratz dolls.
Barbie is the figurehead of a brand of Mattel dolls and accessories, including other family members and collectible dolls. Barbie has been an important part of the toy fashion doll market for fifty years, and has been the subject of numerous controversies and lawsuits, often involving parody of the doll and her lifestyle.
history
Ruth Handler watched her daughter Barbara at play with paper dolls, and noticed that she often enjoyed giving them adult roles. At the time, most children's toy dolls were representations of infants. Realizing that there could be a gap in the market, Handler suggested the idea of an adult-bodied doll to her husband Elliot, a co-founder of the Mattel toy company. He was unenthusiastic about the idea, as were Mattel's directors.
During a trip to Europe in 1956 with her children Barbara and Kenneth, Ruth Handler came across a German toy doll called Bild Lilli. The adult-figured doll was exactly what Handler had in mind, so she purchased three of them. She gave one to her daughter and took the others back to Mattel. The Lilli doll was based on a popular character appearing in a comic strip drawn by Reinhard Beuthin for the newspaper Die Bild-Zeitung. Lilli was a working girl who knew what she wanted and was not above using men to get it. The Lilli doll was first sold in Germany in 1955, and although it was initially sold to adults, it became popular with children who enjoyed dressing her up in outfits that were available separately.
Upon her return to the United States, Handler reworked the design of the doll (with help from engineer Jack Ryan) and the doll was given a new name, Barbie, after Handler's daughter Barbara. The doll made its debut at the American International Toy Fair in New York on March 9, 1959. This date is also used as Barbie's official birthday.
Mattel acquired the rights to the Bild Lilli doll in 1964 and production of Lilli was stopped. The first Barbie doll wore a black and white zebra striped swimsuit and signature topknot ponytail, and was available as either a blonde or brunette. The doll was marketed as a "Teen-age Fashion Model," with her clothes created by Mattel fashion designer Charlotte Johnson. The first Barbie dolls were manufactured in Japan, with their clothes hand-stitched by Japanese homeworkers. Around 350,000 Barbie dolls were sold during the first year of production.
Ruth Handler believed that it was important for Barbie to have an adult appearance, and early market research showed that some parents were unhappy about the doll's chest, which had distinct breasts. Barbie's appearance has been changed many times, most notably in 1971 when the doll's eyes were adjusted to look forwards rather than having the demure sideways glance of the original model.
Barbie was one of the first toys to have a marketing strategy based extensively on television advertising, which has been copied widely by other toys. It is estimated that over a billion Barbie dolls have been sold worldwide in over 150 countries, with Mattel claiming that three Barbie dolls are sold every second.
The standard range of Barbie dolls and related accessories are manufactured to approximately 1/6th scale, which is also known as playscale. Barbie products include not only the range of dolls with their clothes and accessories, but also a large range of Barbie branded goods such as books, apparel, cosmetics and video games. Barbie has appeared in a series of animated films and is a supporting character in Toy Story 2 and Toy Story 3.
Barbie has become a cultural icon and has been given honors that are rare in the toy world. In 1974 a section of Times Square in New York City was renamed Barbie Boulevard for a week. In 1985 the artist Andy Warhol created a painting of Barbie.
In 2009, Barbie celebrated her 50th birthday. The celebrations included a runway show in New York for the Mercedes-Benz Fashion Week. The event showcased fashions contributed by fifty well-known haute couturiers including Diane von Fürstenberg, Vera Wang, Calvin Klein, Bob Mackie, and Christian Louboutin.
biography
Barbie's full name is Barbra Millicent Roberts. In a series of novels published by Random House in the 1960s, her parents' names are given as George and Margaret Roberts from the fictional town of Willows, Wisconsin. In the Random House novels, Barbie attended Willows High School, while in the Generation Girl books published by Golden Books in 1999 she attended the fictional Manhattan International High School in New York City (based on the real-life Stuyvesant High School).
She has an on-off romantic relationship with her boyfriend Ken (Ken Carson), who first appeared in 1961. A news release from Mattel in February 2004 announced that Barbie and Ken had decided to split up, but in February 2006 they were hoping to rekindle their relationship after Ken had a makeover.
Barbie has had over 40 pets including cats and dogs, horses, a panda, a lion cub, and a zebra. She has owned a wide range of vehicles, including pink Corvette convertibles, trailers and jeeps. She also holds a pilot's license, and operates commercial airliners in addition to serving as a flight attendant. Barbie's careers are designed to show that women can take on a variety of roles in life, and the doll has been sold with a wide range of titles including Miss Astronaut Barbie (1965), Doctor Barbie (1988) and Nascar Barbie (1998).
Mattel has created a range of companions for Barbie, including Hispanic Teresa, Midge, African American Christie and Steven (Christie's boyfriend). Barbie's siblings and cousins were also created including Skipper, Todd (Stacie's twin brother), Stacie (Todd's twin sister), Kelly, Krissy, and Francie. Barbie was friendly with Blaine, an Australian surfer, during her split with Ken in 2004.
controversies
Barbie's popularity ensures that her effect on the play of children attracts a high degree of scrutiny. The criticisms leveled at her are often based on the assumption that children consider Barbie a role model and will attempt to emulate her.
One of the most common criticisms of Barbie is that she promotes an unrealistic idea of body image for a young woman, leading to a risk that girls who attempt to emulate her will become anorexic. A standard Barbie doll is 11.5 inches tall, giving a height of 5 feet 9 inches at 1/6 scale. Barbie's vital statistics have been estimated at 36 inches (chest), 18 inches (waist) and 33 inches (hips). According to research by the University Central Hospital in Helsinki, Finland, she would lack the 17 to 22 percent body fat required for a woman to menstruate. In 1963 the outfit "Barbie Baby-Sits" came with a book entitled How to Lose Weight which advised: "Don't eat." The same book was included in another ensemble called "Slumber Party" in 1965 along with a pink bathroom scale reading 110 lbs., which would be around 35 lbs. underweight for a woman 5 feet 9 inches tall. In 1997 Barbie's body mold was redesigned and given a wider waist, with Mattel saying that this would make the doll better suited to contemporary fashion designs.
"Colored Francie" made her debut in 1967, and she is sometimes described as the first African American Barbie doll. However, she was produced using the existing head molds for the white Francie doll and lacked African characteristics other than a dark skin. The first African American doll in the Barbie range is usually regarded as Christie, who made her debut in 1968. Black Barbie was launched in 1980 but still had white features. In September 2009, Mattel introduced the So In Style range, which was intended to create a more realistic depiction of black people than previous dolls.
In July 1992 Mattel released Teen Talk Barbie, which spoke a number of phrases including "Will we ever have enough clothes?", "I love shopping!", and "Wanna have a pizza party?" Each doll was programmed to say four out of 270 possible phrases, so that no two dolls were likely to be the same. One of these 270 phrases was "Math class is tough!" (often misquoted as "Math is hard"). Although only about 1.5% of all the dolls sold said the phrase, it led to criticism from the American Association of University Women. In October 1992 Mattel announced that Teen Talk Barbie would no longer say the phrase, and offered a swap to anyone who owned a doll that did.
In 1997 Mattel joined forces with Nabisco to launch a cross-promotion of Barbie with Oreo cookies. Oreo Fun Barbie was marketed as someone with whom little girls could play after class and share "America's favorite cookie." As had become the custom, Mattel manufactured both a white and a black version. Critics argued that in the African American community Oreo is a derogatory term meaning that the person is "black on the outside and white on the inside," like the chocolate sandwich cookie itself. The doll was unsuccessful and Mattel recalled the unsold stock, making it sought after by collectors.
In May 1997 Mattel introduced Share a Smile Becky, a doll in a pink wheelchair. Kjersti Johnson, a 17-year-old high school student in Tacoma, Washington with cerebral palsy, pointed out that the doll would not fit into the elevator of Barbie's $100 Dream House. Mattel announced that it would redesign the house in the future to accommodate the doll.
In March 2000 stories appeared in the media claiming that the hard vinyl used in vintage Barbie dolls could leak toxic chemicals, causing danger to children playing with them. The claim was rejected as false by technical experts. A modern Barbie doll has a body made from ABS plastic, while the head is made from soft PVC.
In September 2003 the Middle Eastern country of Saudi Arabia outlawed the sale of Barbie dolls, saying that she did not conform to the ideals of Islam. The Committee for the Propagation of Virtue and Prevention of Vice stated "Jewish Barbie dolls, with their revealing clothes and shameful postures, accessories and tools are a symbol of decadence to the perverted West. Let us beware of her dangers and be careful." In Middle Eastern countries there is an alternative doll called Fulla which is similar to Barbie but is designed to be more acceptable to an Islamic market. Fulla is not made by the Mattel Corporation, and Barbie is still available in other Middle Eastern countries including Egypt. In Iran, Sara and Dara dolls are available as an alternative to Barbie.
In December 2005 Dr. Agnes Nairn at the University of Bath in England published research suggesting that girls often go through a stage where they hate their Barbie dolls and subject them to a range of punishments, including decapitation and placing the doll in a microwave oven. Dr. Nairn said: "It's as though disavowing Barbie is a rite of passage and a rejection of their past."
In April 2009, the launch of a Totally Tattoos Barbie with a range of tattoos that could be applied to the doll, including a lower back tattoo, led to controversy. Mattel's promotional material read "Customize the fashions and apply the fun temporary tattoos on you too", but Ed Mayo, chief executive of Consumer Focus, argued that children might want to get tattooed themselves.
In November 2010, Mattel released "Barbie Video Girl", a barbie with a pinhole video camera, enabling clips of 30 minutes each to be recorded, viewed and uploaded. At least one expert is concerned that some of these videos could be "inappropriate."
parodies and lawsuits
Barbie has frequently been the target of parody:
In 1993 a group calling itself the "Barbie Liberation Organization" secretly modified a group of Barbie dolls by implanting voice boxes from G.I. Joe dolls, then returning the Barbies to the toy stores from where they were purchased.
Malibu Stacy from The Simpsons episode "Lisa vs. Malibu Stacy".
Aqua's song "Barbie Girl" was the subject of a lawsuit by Mattel.
Two commercials by automobile company Nissan featuring dolls similar to Barbie and Ken was the subject of another lawsuit in 1997. In the first commercial, a female doll is lured into a car by a doll resembling GI Joe to the dismay of a Ken-like doll, accompanied by Van Halen's You Really Got Me. In the second commercial, the "Barbie" doll is saved by the "G.I. Joe" doll after she is accidentally knocked into a swimming pool by the "Ken" doll to Kiss's "Dr. Love". The makers of the commercial said that the dolls' names were Roxanne, Nick, and Tad. Mattel claimed that the commercial did "irreparable damage" to its products,but settled.
Saturday Night Live aired a parody of the Barbie commercials featuring "Gangsta Bitch Barbie" and "Tupac Ken". In 2002, the show also aired a skit, which starred Britney Spears as Barbie's sister Skipper.
The Tonight Show with Jay Leno displayed a "Barbie Crystal Meth Lab".
Mattel sued artist Tom Forsythe over a series of photographs called Food Chain Barbie in which Barbie winds up in a blender.
In November 2002 a New York judge refused an injunction against the British-based artist Susanne Pitt, who had produced a "Dungeon Barbie" doll in bondage clothing.
Mattel filed a lawsuit in 2004 against Barbara Anderson-Walley over her website www.barbiesshop.com, which sells fetish clothing.
collecting
Mattel estimates that there are well over 100,000 avid Barbie collectors. Ninety percent are women, at an average age of 40, purchasing more than twenty Barbie dolls each year. Forty-five percent of them spend upwards of $1000 a year. Vintage Barbie dolls from the early years are the most valuable at auction, and while the original Barbie was sold for $3.00 in 1959, a mint boxed Barbie from 1959 sold for $3552.50 on eBay in October 2004. On September 26, 2006, a Barbie doll set a world record at auction of £9,000 sterling (US $17,000) at Christie's in London. The doll was a Barbie in Midnight Red from 1965 and was part of a private collection of 4,000 Barbie dolls being sold by two Dutch women, Ietje Raebel and her daughter Marina.
In recent years Mattel has sold a wide range of Barbie dolls aimed specifically at collectors, including porcelain versions, vintage reproductions, and depictions of Barbie as a range of characters from film and television series such as The Munsters and Star Trek. There are also collector's edition dolls depicting Barbie dolls with a range of different ethnic identities.In 2004 Mattel introduced the Color Tier system for its collector's edition Barbie dolls, ranging through pink, silver, gold and platinum depending on how many of the dolls are produced.
competition from Bratz dolls
In June 2001, MGA Entertainment launched the Bratz range of dolls, a move that would give Barbie her first serious competition in the fashion doll market. In 2004 sales figures showed that Bratz dolls were outselling Barbie dolls in the United Kingdom, although Mattel maintained that in terms of the number of dolls, clothes and accessories sold, Barbie remained the leading brand.
In 2005 figures showed that sales of Barbie dolls had fallen by 30% in the United States, and by 18% worldwide, with much of the drop being attributed to the popularity of Bratz dolls.
In December 2006, Mattel sued MGA Entertainment for $500 million, alleging that Bratz creator Carter Bryant was working for Mattel when he developed the idea for Bratz.
On July 17, 2008, a federal jury agreed that the Bratz line was created by Carter Bryant while he was working for Mattel. The jury also ruled that MGA and its Chief Executive Officer Isaac Larian were liable for converting Mattel property for their own use and intentionally interfering with the contractual duties owed by Bryant to Mattel.
On August 26, the jury found that Mattel would have to be paid $100 million in damages. On December 3, 2008, U.S. District Judge Stephen Larson banned MGA from selling Bratz. He allowed the company to continue selling the dolls until the winter holiday season ended. MGA is currently appealing against the court's ruling.
In August 2009, MGA introduced a range of dolls called Moxie Girlz, intended as a replacement for Bratz dolls.
Sunday 7 November 2010
astral projection
Astral projection (or astral travel) is an interpretation of any form of out-of-body experience (OBE) that assumes the existence of an "astral body" separate from the physical body and capable of travelling outside it. Astral projection or travel denotes the astral body leaving the physical body to travel in the astral plane.
The idea of astral travel is rooted in common worldwide religious accounts of the afterlife in which the consciousness' or soul's journey or "ascent" is described in such terms as "an...out-of body experience, wherein the spiritual traveller leaves the physical body and travels in his/her subtle body (or dreambody or astral body) into ‘higher’ realms." It is therefore associated with near death experiences and is also frequently reported as spontaneously experienced in association with sleep and dreams, illness, surgical operations, drug experiences, sleep paralysis and forms of meditation.
It is also sometimes attempted for its own sake, or may be believed to be necessary to, or the result of, some forms of spiritual practice. It may involve "travel to higher realms" called astral planes but is commonly used to describe any sensation of being "out of the body" in the everyday world, even seeing one's body from outside or above. It may be reported in the form of an apparitional experience, a supposed encounter with a doppelgänger, some living person also seen somewhere else at the same time.
Through the 1960s and 70s, surveys reported percentages ranging from 8% to as many as 50% (in certain groups) of respondents who state they had such an experience. The subjective nature of the experience permits explanations that do not rely on the existence of an "astral" body and plane. There is little beyond anecdotal evidence to support the idea that people can actually "leave the body".
beliefs
The theme is treated in anthropological or ethnographic literature on witchcraft and shamanism, in classical philosophy and in various myths and religious scriptures.
western philosophies
According to classical, medieval and renaissance Neoplatonism, and later Theosophist and Rosicrucian thought, the astral body is an intermediate body of light linking the rational soul to the physical body while the astral plane is an intermediate world of light between Heaven and Earth, composed of the spheres of the planets and stars. These astral spheres were held to be populated by angels, demons and spirits.
The subtle bodies, and their associated planes of existence, form an essential part of the esoteric systems that deal with astral phenomena. In the neo-platonism of Plotinus, for example, the individual is a microcosm ("small world") of the universe (the macrocosm or "great world"). "The rational soul...is akin to the great Soul of the World" while "the material universe, like the body, is made as a faded image of the Intelligible". Each succeeding plane of manifestation is causal to the next, a world-view called emanationism; "from the One proceeds Intellect, from Intellect Soul, and from Soul - in its lower phase, or Nature - the material universe".
Often these bodies and their planes of existence are depicted as a series of concentric circles or nested spheres, with a separate body traversing each realm. The idea of the astral figured prominently in the work of the nineteenth-century French occultist Eliphas Levi, whence it was adopted by Theosophy and the Golden Dawn magical society.
the bible
A common belief is that the subtle body is attached to the physical body by means of a psychic silver cord. The final chapter of the Biblical Book of Ecclesiastes is often cited in this respect;
"before the silver cord be loosed, or the golden bowl be broken, or the pitcher be shattered at the fountain, or the wheel be broken at the cistern"
Paul's second letter to the Corinthians (Chapter 12, verse 2) is more generally agreed to refer to the astral planes;
"I know a man in Christ, fourteen years ago, (whether in the body I know not, or out of the body I know not, God knows) such a one caught up to the third heaven..."'
This statement gave rise to the Visio Pauli, a tract that offers a vision of heaven and hell, a forerunner of visions attributed to Adomnan and Tnugdalus as well as of Dante's Divine Comedy.
ancient egypt
Similar concepts of "soul" travel appear in various other religious traditions, for example ancient Egyptian teachings present the soul as having the ability to hover outside the physical body in the ka, or subtle body.
china
Taoist alchemical practice involves creation of an energy body by breathing meditations, drawing energy into a 'pearl' that is then "circulated". "Xiangzi ... with a drum as his pillow fell fast asleep, snoring and motionless. His primordial spirit, however, went straight into the banquet room and said, "My lords, here I am again." ... When Tuizhi walked ... with the officials to take a look, there really was a Daoist sleeping on the ground and snoring like thunder. Yet inside, in the side room, there was another Daoist beating a fisher drum and singing Daoist songs. The officials all said, “Although there are two different people, their faces and clothes are exactly alike. Clearly he is a divine immortal who can divide his body and appear in several places at once. ..." ... At that moment, the Daoist in the side room came walking out, and the Daoist sleeping on the ground woke up. The two merged into one."
india
The Theosophists also took note of similar ideas (Lin'ga S'ari-ra) found in ancient Hindu scriptures such as the YogaVashishta-Maharamayana of Valmiki. Modern Indians who have offered experiences of astral projection include Paramahansa Yogananda and Osho (Bhagwan Shree Rajneesh)
japan
In Japanese mythology, an ikiryō (生霊?) (also read shōryō, seirei, or ikisudama) is a manifestation of the soul of a living person separately from their body. Traditionally, if someone holds a sufficient grudge against another person, it is believed that a part or the whole of their soul can temporarily leave their body and appear before the target of their hate in order to curse or otherwise harm them, similar to an evil eye. Souls are also believed to leave a living body when the body is extremely sick or comatose; such ikiryō are not malevolent.
inuit
In some Inuit groups people with special capabilities are said to travel to (mythological) remote places, and report their experiences and things important to their fellows or the entire community; how to stop bad luck in hunting, cure a sick person etc., things unavailable to people with normal capabilities.
amazon
The yaskomo of the Waiwai is believed to be able to perform a "soul flight" that can serve several functions such as healing, flying to the sky to consult cosmological beings (the moon or the brother of the moon) to get a name for a new-born baby, lying to the cave of peccaries' mountains to ask the father of peccaries for abundance of game or flying deep down in a river to get the help of other beings.
"astral" and "etheric"
The expression "astral projection" came to be used in two different ways. For the Golden Dawn and some Theosophists it retained the classical and medieval philosophers' meaning of journeying to other worlds, heavens, hells, the astrological spheres and other imaginal landscapes, but outside these circles the term was increasingly applied to non-physical travel around the physical world.
Though this usage continues to be widespread, the term, "etheric travel", used by some later Theosophists, offers a useful distinction. Some experients say they visit different times and/or places: "etheric", then, is used to represent the sense of being "out of the body" in the physical world, whereas "astral" may connote some alteration in time-perception. Robert Monroe describes the former type of projection as "Locale I" or the "Here-Now", involving people and places that actually exist: Robert Bruce calls it the "Real Time Zone" (RTZ) and describes it as the non-physical dimension-level closest to the physical. This etheric body is usually, though not always, invisible but is often perceived by the experient as connected to the physical body during separation by a “silver cord”. Some link "falling" dreams with projection.
According to Max Heindel, the etheric "double" serves as a medium between the astral and physical realms. In his system the ether, also called prana, is the "vital force" that empowers the physical forms to change. From his descriptions it can be inferred that, to him, when one views the physical during an out-of-body experience, one is not technically "in" the astral realm at all.
Other experients may describe a domain that has no parallel to any known physical setting. Environments may be populated or unpopulated, artificial, natural or abstract, and the experience may be beatific, horrific or neutral. A common Theosophical belief is that one may access a compendium of mystical knowledge called the Akashic records. In many accounts the experiencer correlates the astral world with the world of dreams. Some even report seeing other dreamers enacting dream scenarios unaware of their wider environment.
The astral environment may also be divided into levels or sub-planes by theorists, but here are many different views in various traditions concerning the overall structure of the astral planes: they may include heavens and hells and other after-death spheres, transcendent environments or other less-easily characterized states.
notable practitioners
Emanuel Swedenborg was one of the first practitioners to write extensively about the out-of-body experience, in his Spiritual Diary (1747–65). French philosopher and novelist Honoré de Balzac's fictional work "Louis Lambert" suggests he may have had some astral or out-of-body experience.
There are many twentieth century publications on astral projection, although only a few remain widely cited. These include Robert Monroe, Oliver Fox, Sylvan Muldoon and Hereward Carrington, and Yram.
Carrington, a psychical researcher, and Muldoon, who professed ease with astral projection, jointly published The Projection of the Astral Body in 1929. Techniques they felt facilitated projection included visualizing flying or ascending in an elevator just before going to sleep and trying to regain waking consciousness while in a dream state (lucid dreaming) by habitually recognizing apparent incongruities in one's dream such as a different pattern of wallpaper in one's home. Such recognition, they said, sometimes resulted in the feeling of being outside the physical body and able to look down on it.
Robert Monroe's accounts of journeys to other realms (1971–1994) popularized the term "OBE" and were translated into a large number of languages. Though his books themselves only placed secondary importance on descriptions of method, Monroe also founded an institute dedicated to research, exploration and non-profit dissemination of auditory technology for assisting others in achieving projection and related altered states of consciousness.
Robert Bruce, William Buhlman and Albert Taylor have discussed their theories and findings on the syndicated show Coast to Coast AM several times. Michael Crichton gives lengthy and detailed explanations and experience of astral projection in his non-fiction book "Travels".
Waldo Vieira, a physician and dentist, claims to have had his first OBE at the age of 9 and has gone on to write numerous articles and over 20 books, including Projectiology. Wagner Alegretti, president of and researcher at International Academy of Consciousness, is another out-of-body experiencer, featured on the Discovery Channel en Espanol and New York's New Realities series.
"Soul Travel", the belief that when one sleeps, the Soul leaves its body and seeks spiritual lessons in the Soul Planes, or heaven, is a key element in the religion of Eckankar. They believe that there are many different Temples that Souls go to in higher planes to learn their religion.
In occult traditions, practices range from inducing trance states to the mental construction of a second body, called the Body of Light in Aleister Crowley's writings, through visualization and controlled breathing, followed by the transfer of consciousness to the secondary body by a mental act of will.
The idea of astral travel is rooted in common worldwide religious accounts of the afterlife in which the consciousness' or soul's journey or "ascent" is described in such terms as "an...out-of body experience, wherein the spiritual traveller leaves the physical body and travels in his/her subtle body (or dreambody or astral body) into ‘higher’ realms." It is therefore associated with near death experiences and is also frequently reported as spontaneously experienced in association with sleep and dreams, illness, surgical operations, drug experiences, sleep paralysis and forms of meditation.
It is also sometimes attempted for its own sake, or may be believed to be necessary to, or the result of, some forms of spiritual practice. It may involve "travel to higher realms" called astral planes but is commonly used to describe any sensation of being "out of the body" in the everyday world, even seeing one's body from outside or above. It may be reported in the form of an apparitional experience, a supposed encounter with a doppelgänger, some living person also seen somewhere else at the same time.
Through the 1960s and 70s, surveys reported percentages ranging from 8% to as many as 50% (in certain groups) of respondents who state they had such an experience. The subjective nature of the experience permits explanations that do not rely on the existence of an "astral" body and plane. There is little beyond anecdotal evidence to support the idea that people can actually "leave the body".
beliefs
The theme is treated in anthropological or ethnographic literature on witchcraft and shamanism, in classical philosophy and in various myths and religious scriptures.
western philosophies
According to classical, medieval and renaissance Neoplatonism, and later Theosophist and Rosicrucian thought, the astral body is an intermediate body of light linking the rational soul to the physical body while the astral plane is an intermediate world of light between Heaven and Earth, composed of the spheres of the planets and stars. These astral spheres were held to be populated by angels, demons and spirits.
The subtle bodies, and their associated planes of existence, form an essential part of the esoteric systems that deal with astral phenomena. In the neo-platonism of Plotinus, for example, the individual is a microcosm ("small world") of the universe (the macrocosm or "great world"). "The rational soul...is akin to the great Soul of the World" while "the material universe, like the body, is made as a faded image of the Intelligible". Each succeeding plane of manifestation is causal to the next, a world-view called emanationism; "from the One proceeds Intellect, from Intellect Soul, and from Soul - in its lower phase, or Nature - the material universe".
Often these bodies and their planes of existence are depicted as a series of concentric circles or nested spheres, with a separate body traversing each realm. The idea of the astral figured prominently in the work of the nineteenth-century French occultist Eliphas Levi, whence it was adopted by Theosophy and the Golden Dawn magical society.
the bible
A common belief is that the subtle body is attached to the physical body by means of a psychic silver cord. The final chapter of the Biblical Book of Ecclesiastes is often cited in this respect;
"before the silver cord be loosed, or the golden bowl be broken, or the pitcher be shattered at the fountain, or the wheel be broken at the cistern"
Paul's second letter to the Corinthians (Chapter 12, verse 2) is more generally agreed to refer to the astral planes;
"I know a man in Christ, fourteen years ago, (whether in the body I know not, or out of the body I know not, God knows) such a one caught up to the third heaven..."'
This statement gave rise to the Visio Pauli, a tract that offers a vision of heaven and hell, a forerunner of visions attributed to Adomnan and Tnugdalus as well as of Dante's Divine Comedy.
ancient egypt
Similar concepts of "soul" travel appear in various other religious traditions, for example ancient Egyptian teachings present the soul as having the ability to hover outside the physical body in the ka, or subtle body.
china
Taoist alchemical practice involves creation of an energy body by breathing meditations, drawing energy into a 'pearl' that is then "circulated". "Xiangzi ... with a drum as his pillow fell fast asleep, snoring and motionless. His primordial spirit, however, went straight into the banquet room and said, "My lords, here I am again." ... When Tuizhi walked ... with the officials to take a look, there really was a Daoist sleeping on the ground and snoring like thunder. Yet inside, in the side room, there was another Daoist beating a fisher drum and singing Daoist songs. The officials all said, “Although there are two different people, their faces and clothes are exactly alike. Clearly he is a divine immortal who can divide his body and appear in several places at once. ..." ... At that moment, the Daoist in the side room came walking out, and the Daoist sleeping on the ground woke up. The two merged into one."
india
The Theosophists also took note of similar ideas (Lin'ga S'ari-ra) found in ancient Hindu scriptures such as the YogaVashishta-Maharamayana of Valmiki. Modern Indians who have offered experiences of astral projection include Paramahansa Yogananda and Osho (Bhagwan Shree Rajneesh)
japan
In Japanese mythology, an ikiryō (生霊?) (also read shōryō, seirei, or ikisudama) is a manifestation of the soul of a living person separately from their body. Traditionally, if someone holds a sufficient grudge against another person, it is believed that a part or the whole of their soul can temporarily leave their body and appear before the target of their hate in order to curse or otherwise harm them, similar to an evil eye. Souls are also believed to leave a living body when the body is extremely sick or comatose; such ikiryō are not malevolent.
inuit
In some Inuit groups people with special capabilities are said to travel to (mythological) remote places, and report their experiences and things important to their fellows or the entire community; how to stop bad luck in hunting, cure a sick person etc., things unavailable to people with normal capabilities.
amazon
The yaskomo of the Waiwai is believed to be able to perform a "soul flight" that can serve several functions such as healing, flying to the sky to consult cosmological beings (the moon or the brother of the moon) to get a name for a new-born baby, lying to the cave of peccaries' mountains to ask the father of peccaries for abundance of game or flying deep down in a river to get the help of other beings.
"astral" and "etheric"
The expression "astral projection" came to be used in two different ways. For the Golden Dawn and some Theosophists it retained the classical and medieval philosophers' meaning of journeying to other worlds, heavens, hells, the astrological spheres and other imaginal landscapes, but outside these circles the term was increasingly applied to non-physical travel around the physical world.
Though this usage continues to be widespread, the term, "etheric travel", used by some later Theosophists, offers a useful distinction. Some experients say they visit different times and/or places: "etheric", then, is used to represent the sense of being "out of the body" in the physical world, whereas "astral" may connote some alteration in time-perception. Robert Monroe describes the former type of projection as "Locale I" or the "Here-Now", involving people and places that actually exist: Robert Bruce calls it the "Real Time Zone" (RTZ) and describes it as the non-physical dimension-level closest to the physical. This etheric body is usually, though not always, invisible but is often perceived by the experient as connected to the physical body during separation by a “silver cord”. Some link "falling" dreams with projection.
According to Max Heindel, the etheric "double" serves as a medium between the astral and physical realms. In his system the ether, also called prana, is the "vital force" that empowers the physical forms to change. From his descriptions it can be inferred that, to him, when one views the physical during an out-of-body experience, one is not technically "in" the astral realm at all.
Other experients may describe a domain that has no parallel to any known physical setting. Environments may be populated or unpopulated, artificial, natural or abstract, and the experience may be beatific, horrific or neutral. A common Theosophical belief is that one may access a compendium of mystical knowledge called the Akashic records. In many accounts the experiencer correlates the astral world with the world of dreams. Some even report seeing other dreamers enacting dream scenarios unaware of their wider environment.
The astral environment may also be divided into levels or sub-planes by theorists, but here are many different views in various traditions concerning the overall structure of the astral planes: they may include heavens and hells and other after-death spheres, transcendent environments or other less-easily characterized states.
notable practitioners
Emanuel Swedenborg was one of the first practitioners to write extensively about the out-of-body experience, in his Spiritual Diary (1747–65). French philosopher and novelist Honoré de Balzac's fictional work "Louis Lambert" suggests he may have had some astral or out-of-body experience.
There are many twentieth century publications on astral projection, although only a few remain widely cited. These include Robert Monroe, Oliver Fox, Sylvan Muldoon and Hereward Carrington, and Yram.
Carrington, a psychical researcher, and Muldoon, who professed ease with astral projection, jointly published The Projection of the Astral Body in 1929. Techniques they felt facilitated projection included visualizing flying or ascending in an elevator just before going to sleep and trying to regain waking consciousness while in a dream state (lucid dreaming) by habitually recognizing apparent incongruities in one's dream such as a different pattern of wallpaper in one's home. Such recognition, they said, sometimes resulted in the feeling of being outside the physical body and able to look down on it.
Robert Monroe's accounts of journeys to other realms (1971–1994) popularized the term "OBE" and were translated into a large number of languages. Though his books themselves only placed secondary importance on descriptions of method, Monroe also founded an institute dedicated to research, exploration and non-profit dissemination of auditory technology for assisting others in achieving projection and related altered states of consciousness.
Robert Bruce, William Buhlman and Albert Taylor have discussed their theories and findings on the syndicated show Coast to Coast AM several times. Michael Crichton gives lengthy and detailed explanations and experience of astral projection in his non-fiction book "Travels".
Waldo Vieira, a physician and dentist, claims to have had his first OBE at the age of 9 and has gone on to write numerous articles and over 20 books, including Projectiology. Wagner Alegretti, president of and researcher at International Academy of Consciousness, is another out-of-body experiencer, featured on the Discovery Channel en Espanol and New York's New Realities series.
"Soul Travel", the belief that when one sleeps, the Soul leaves its body and seeks spiritual lessons in the Soul Planes, or heaven, is a key element in the religion of Eckankar. They believe that there are many different Temples that Souls go to in higher planes to learn their religion.
In occult traditions, practices range from inducing trance states to the mental construction of a second body, called the Body of Light in Aleister Crowley's writings, through visualization and controlled breathing, followed by the transfer of consciousness to the secondary body by a mental act of will.
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